Wredheaded Writer

Tip O'Day #293 - Bad Covers Kill Good Books

2012-02-15T09:08:00.000-07:00

Tom Isbell, author of Southern Cross, on book covers.

Cover design is important for pBooks as well as eBooks, but for slightly different reasons. Customers in a bookstore will be drawn to your book based on its front cover (or spine, depending how the book is displayed). They will read the back cover and maybe turn to the first chapter, all in a matter of seconds. That’s all the time you have to hook them.

Before deciding on the basic design for your cover (whether you do it or have it done professionally), take time to go to a local bookstore and look at the covers of books in your genre. The major publishing houses have spent a lot of money determining what cover designs sell books. It’s free advice, so take it.

The cover for an eBook is almost more important than one for a pBook; in most cases, the potential customer only sees a postage stamp sized picture of your wonderful cover. Keep it simple. Fancy fonts may not be legible when reduced and the cover art may end up looking like a dark blob. Play with ideas and reduce them to thumbnail size to see if they look good. Ask your critique group or other writing friends to evaluate your cover.

Check out Tom at his website or on Facebook.

Dixon says: I was fortunate to work with a professional, Suzanne Fyhrie Parrott of Unruly Guides, on my first published novel. After discussing The Assassins Club with me, she came up with 4-5 draft concepts. With my permission, they were posted on Facebook, enabling other authors and publishing pros to weigh in with their opinions. Their input gave me confidence that the eventual final cover was, in fact, the most effective choice.

Tip O'Day #292 - Setting & Theme

2012-02-14T10:27:00.000-07:00

The two previous blog posts have talked about the importance of setting, and the possibility it can actually become a character in your story - think The Perfect Storm. Another consideration is the use of setting to reinforce the mood and themes of your story. There’s a reason few noir scenes are set on sunny California beaches. The following is the third excerpt from my forthcoming thriller, Montana is Burning, which will be out in Kindle this summer.

The golden eagle sliced through the air, miles from where scattered rain drenched a small clearing and the stream that ran through it. She spiraled upward with little effort, riding a thermal current as she waited for the storm to break up.

The eagle was the perfect aerial predator, with cruel talons and a beak that could disembowel an adult sheep. She was death from the sky. Lacking an owl’s night vision, she couldn’t hunt after dark, even though high winds had kept her pinned to her aerie for more than a week and starvation threatened.

She circled and watched. In a valley far below, dry lightning struck a large snag and it burst into flames. Since no animals fled from the fire, the eagle quickly lost interest. She flew on.

The isolated storm finished venting its fury on the clearing and sped east. Dim memories drew the eagle above a stream where salmon returned each summer’s end and trout grew fat and pink on the helpless spawn – ancestral memories of hunts and feasts by eagles long dead but memories no less real. The raptor smelled blood and tasted flesh as if the kills had been her own.

The great bird spotted the glitter of whitewater skittering across rocks made smooth by eons of glacial runoff, and saw dark shapes carving their way beneath the surface.

She dipped a chocolate-brown wing and dropped below the air current. The eagle descended slowly at first, then folded her wings next to her body to plunge like lightning drawn to earth. Her freefall lasted hundreds of feet before she spread wide her wings, pulling out of the meteoric dive. With hardly an eddy on the water’s surface, she ripped a trout from the icy stream and started back to her craggy perch, blood on her talons and savagery in her cry.

As she climbed through the warm air, the golden eagle spotted the valley where lightning struck a snag earlier. Flames burned greedily and jumped to neighboring scrub pine. Only the eagle saw.

In the great bird’s wake, a wolf erupted into the opening and sprang across the stream, but the whitetail he had been stalking already bounded far down the slope, startled by the exultant screech from above. Stopping at the edge of the clearing, the wolf listened to the doe’s flight.

The wolf turned from the fading sound of escape. He jogged toward remembered cattle.

The world, after all, was full of prey.

Tip O'Day #291 - Setting as a Character

2012-02-13T12:15:00.000-07:00

Setting can become a character in your story. In my novel Montana is Burning, a forest fire serves as not only backdrop, but also antagonist and instigator of events. In this second part of the novel excerpt, the fire faces death but survives.

The golden eagle circled high over a remote valley twenty miles west of Kintla, Montana.

A burning snag sent a faint column of smoke aloft. The eagle knew fire usually flushes small animals from their hiding places but not this time. A pine beetle infestation had devastated the valley, leaving behind mostly rotten stumps and scarcely any healthy trees. Despite a huge insect population, there were almost no green branches and so hardly any rodents, birds or small game lived there. Above the size of centipedes, practically no life survived in the valley.

The great bird found a sturdy branch high in an ancient pine. She waited.

Like waves rippling out from a pebble dropped in a fiery lake, a circle of flame spread around the snag, painting the pale underbelly of the clouds an angry red. The lower branches of several nearby spruce caught fire. The expanding pool lapped across the matted carpet of pine needles, burning into the forest floor until it ran out of air.

A dark cloud passed overhead, so heavy with water vapor that it began to condense. A shower doused the valley and the eagle sought shelter on a lower branch.

Flames hissed and wavered and then finally failed. As if to signal the fire's defeat, the blackened snag teetered and fell. A cloud of ash rose into the damp air then pelted back to earth with the rain.

The snag lay on its side like some grotesque wounded beast. Sheltered from the rain, its underside reflected a dim glow against the ruined forest floor. The fire lived.

The golden eagle took wing and continued her hunt.

This three-part novel excerpt concludes tomorrow, when wolf and eagle meet one another.

Tip O'Day #290 - Setting is Crucial

2012-02-12T14:00:00.000-07:00

I mostly put up guest posts from other writers because I think we can learn a lot from the success and failures of others, even the least experienced. However, my “Wolf & Eagle” excerpts from the forthcoming thriller Montana is Burning have had the most hits by far over the last few years. For the success of a novel, I believe setting can be just as important as character and story. The following is my attempt to convey a sense of the Montana wilderness.

As shadows lengthened in the forest, a wolf waited.

He awoke at daybreak far to the north with an empty belly. The last surviving member of his pack, he’d eaten nothing but a few rodents the last few days. Alone, he had little hope of killing larger prey.

The wolf turned south and loped toward memories of slow-moving cattle that grazed away from human scents. He stopped to rest when the sun shone directly overhead. A swath of land denuded of trees stretched into the distance to both left and right. He could smell and hear much further than he could see, and sensed no men nearby. He sprinted across. He rested again and then urinated to mark his mission and direction of travel before continuing the journey. The wolf trotted over the Whitefish and Salish Mountains before a familiar scent stopped him on the edge of a grassy meadow.

The cattle still lay in his path but only after many hours’ travel through rolling sand hills. His stomach ached. The wolf ignored his hunger and waited.

Shadows stretched into the clearing below him, masking a swift stream in smears of gray and black. The wolf breathed deep of the warm air and smelled deer.

A female. Closer this time. Down-slope and upwind.

The wolf tensed his haunches in readiness.

The whitetail deer edged closer through the shadows, yet not close enough.

The wolf felt the weather change. A storm front was passing by. The humidity rose as clouds rolled overhead, smothering the landscape in featureless murk. Lightning crackled in the distance.

The lone male might as well have been blind. Yet he smelled the sweet fragrance of tamarack, pine and aspen, the loamy earth, the rich droppings left by beast and bird, and the salty blood coursing through the doe. Even through the noisy turbulence of wind and nearby stream, he clearly heard the prey set one hoof on a leaf.

The wind began to swirl. A fat plop of rain struck the cracked earth between his paws. Water sprinkled across the parched clearing. He sensed dusty treetops shuddering at scattered drops. A blanket of heavy, moist air settled around the hunter and now he sensed only water.

He stretched out on his belly and waited.

This is the first of three posts, to be continued tomorrow. Look for Montana is Burning on Kindle this summer. Suzanne Parrott of Unruly Guides designed the book cover.

Tip O'Day #289 - Writers, Be Readers

2012-02-11T10:20:00.000-07:00

Guest blogger David Cleinman thinks writers need to be readers.

One reason it’s important for writers to read is that there tend to be standard conventions within each genre that readers expect to see. If they’re not there, or are twisted in strange ways, or even broken, it makes the writer look bad and loses future readers.

An even better reason is personal expansion. Great authors tend to evolve over time. They practice, tweak, learn how to use techniques. They learn the way words work to elicit responses from readers. All of this requires time, patience, research, and observation. Reading other authors gives us working examples of these concepts and allows us to expand our own arsenal of writing techniques.

A third reason is the fact that most of us began writing because we love literature and stories. We are captivated by characters, provoked by plots, wound up by words, and struck by stories. Reading takes us places we could only imagine, lets us be heroes, or villains, allows us escape, and keeps us enthralled in our own world, even when that world was created by another. We can see ourselves as Alexander the Great, Napoleon, Frodo Baggins, Muad’Dib, Joan of Arc, Harry, Hermione, or Ron, Viking raiders, Dragon Lords, King Arthur. Reading makes it easy to be someone else for a while.

This is the thrill of reading, and so it becomes the magic of writing. We get to take others on a journey with us, share worlds of our design, characters of our creation, ideas that move the heart, or shake up the universe. We become captains of a ship with unlimited possibilities. It can go anywhere, do anything, connect with anyone, accomplish the impossible, hold unlimited passengers, and break any speed barrier.

Our obligation as authors is to provide the best possible voyage for our travelers. We must give them the trip of a lifetime, and leave them wanting to be repeat passengers. This requires a unique approach, an engaging story, great characters with whom readers can identify, and a knowledge of story conventions which allows for a smooth and entertaining ride.Learning the techniques other authors use is the very best way to master these techniques and fully develop our own writing abilities. We can take classes, and that can help, but only reading gives us the practical insights we need to truly master our craft.

David Cleinman is an Indie author, blogger, and book reviewer. He has two published novels: Toys In The Attic and Principle Destiny, plus MindEater, a Vampire Short. For more information about David, please visit his writing blog or find him at Amazon.com.

Tip O'Day #288 - A Literary Pup

2012-02-10T22:54:00.000-07:00

Guest blogger Constance See on how her rescue dog taught her to write.

At age fifty-something, I acquired my first pet ever when I asked my husband to look into adopting a dog. He loved Pepper instantly. I was more reticent, but Pepper looked into my eyes (or smelled the coffee I’d accidentally drizzled down my shirt) and decided we were long lost best friends. Learning to take care of a pet when you’re trying to write was a challenge at first, until I realized the Great Goddess in the Universe had sent her to me as a Muse. Pepper makes sure I get up nice and early (5:15 a.m.) every morning by pushing her wet little nose against my helpless feet dangling off the edge of the bed.

No time to waste, there’s writing and peeing to do!

I stumble out into the cold ebony air, eyes half shut, grumbling about my lack of sleep, but she drags me along sniffing for just the right spot to squat. It has to be where some other dog left their sign. I just got that lesson. Years ago I started a great romance novel, but at page 80, I stopped to read a new one and was devastated – her plot was very similar to mine. I locked up my ideas and pouted for over a decade!

Dumb-dah-dumb-dumb-dumb.

Pepper knows all. She knows every square inch of earth has a pee stain, just like plot twists have nearly all been written before. The hero or heroine always gets their man. What she taught me today was to sniff out the competition, but squat anyway making my own unique mark.

Finished with our morning ablutions, we race inside for sustenance. Pepper wolfs down her breakfast, reminding me not to dawdle at minor tasks. Then, she flops on her belly, head held up like the Egyptian Sphinx, watching over me, to keep those pesky distractions at bay. She has a very important job, keeping me focused on what really matters – a tail-wagging ending.

Tip O'Day #287 - A Facebook Fan

2012-02-08T08:08:00.000-07:00

Guest blogger Jo Marshall brings enthusiasm to social networks.

A little late to the game, I only began using Facebook two months ago, initially setting up my author and book page to showcase my Twig Stories book series. Very quickly, however, I began using Facebook to reach out to other authors, librarians, teachers, professors and news media. I learned more about climate change, the environment, agents of change in conservation efforts, and the many wildlife nonprofits. Suddenly I was 'linked in.'

I have several lists that reflect my many interests: Librarians, Teachers, Universities & Colleges, Wildlife & Environmental Nonprofits, Literary, Media, and for those who feel compelled to post more than ten updates a day, I file them in 'Friendliest.' Of course, I also have a Close Friends file.

Facebook is an excellent way to gather news in one long stream. Every day I open it up as I would a newspaper...and read and read and read. Within an hour I can cruise the BBC, NPR, science journals (I'm a member of the Society of Environmental Journalists), children's literacy sites, book reviews, library events, current affairs, and author accomplishments. I really enjoy lively societies such as professional storytelling guilds and book groups.

I guess it’s obvious - I'm a real Facebook fan.

This writer will be back in a few days with more on social networking. To learn more about Jo Marshall, go to her Twig Stories website.

Tip O'Day #286 - A Tough Road for Indies

2012-02-07T21:46:00.000-07:00

Tom Isbell, author of Southern Cross, on Indie Success.

Independent authors are caught in a vicious circle. Manuscript editing and cover design services cost money. If you have investigated using professional services, you know what I’m talking about. Considering the average author is lucky to sell over 300 printed books, it doesn’t take long to expend way more on publishing than can be netted by sales. There are notable exceptions and maybe you know one, but tales of success should be prefaced with: “These results are not typical.”

So what can the not-so-rich, independent authors do to ensure their manuscripts are the best they can be? Seek out and join a local author critique group of like-minded writers, hopefully with some successfully published authors. Your friends and relatives may read your manuscript, but they will never tell you that it sucks. The sucky part has to come from other people. Remember constructive criticism is the key. Nothing is personal. Good editing is not just grammar and punctuation, but also evaluating execution – point of view consistency, syntax, poor plot, and implausibility.

Tom will be back in a few days with tips on book covers. In the meantime, check him out at his website or Facebook.

Tip O'Day #285 - One Writer's Process

2012-02-06T14:49:00.000-07:00

How guest blogger Aleksandra Zaric created a book.

The only way to complete your book is to “just write.” Consistently write on a daily basis, with goals in place.I would set my alarm at 4.00 am and go straight to my computer to write for a couple of hours. Whenever a thought would pop into my mind during the day, I would immediately write it down to include it in my book later on. If you don’t do that, you’ll forget it.

I set myself a goal to complete the manuscript by a certain date, no matter what. Despite becoming constantly sleep deprived, I found this was my only way to stay consistently motivated. It doesn’t matter how poorly written the first draft is; you can always polish and edit at a later stage. Geez, the amount of time I read and re-read the book and tweaked it here and there…hundreds of times until I couldn’t stand it anymore.

Once that stage is done, get a manuscript appraisal – a professional to critique your work. For me, this was well worth the investment of $400-$500 for a 60,000 word manuscript. Still, I was nowhere near finished. I used the appraisal to improve my work even further, a process that took longer than writing the original draft. I then got another manuscript appraisal which was much better. Finally, I submitted it to an editor who helped me fix it even more.

Check out this author at her website.

Tip O'Day #284 - "Grab 'Em by the Collar"

2012-02-05T12:12:00.001-07:00

Your genial host, novelist Dixon Rice, tries his hand at writing a blurb.

Joanna Penn recently blogged about what makes an effective book blurb in The Creative Penn. It needs to be brief, no more than 100-150 words. If space allows, you may want to make some about the author remarks, but be sure to include:

(1) A hint of the plot.
(2) Use of words that evoke images and resonate with readers of the genre.
(3) Main characters named and characterized.
(4) Idea of setting.
(5) A question or a hint of mystery that draws the reader in.
(6) Some hyperbole.
(7) Finally, quotes about the book or previous books by the author.

I like Joanna’s analysis. A blurb should be some of your best writing, not feeling like a book report. It should briefly convey a sense of the plot, setting, main characters and themes. A blurb needs to grab readers by the collar, getting them to look at the opening page (or click on the online sample pages) to see if the writing lives up to the hype. Following is my 150-word attempt to apply this concept to my novel, The Assassins Club.

Deputy Marconi spoke softly. “We know you’ve been killing people, Ty…”

Deputy Trueblood pushed his partner aside. “The point is, we want in.”

Ty blinked. “Excuse me?”

In Montana’s Rocky Mountains in the 1970s, college student Tyler Goode figures he “accidentally” became a serial killer.

Another serial killer, a bearded, thirtyish man, emerges nude from the ocean in Baja California. He thinks he is Jesus. He walks up the coast, killing when it pleases him, and gathers a Manson-like tribe of losers.

Ty and Jesus eventually collide in this fast-paced suspense-thriller, but only one will survive to pursue his addiction.

See why reviewers say: “…so fast moving, you don't stop to think how it's all going to end. But even if you did, it will still be a surprise.”

“So real you can taste it.”

“An engrossing read with a compelling plot... This novel will keep you guessing until the end.”

So what do you think - did I grab you by the collar?

Tip O'Day #283 - How You Choose a Book - II

2012-02-04T12:12:00.000-07:00

How three more readers select a book.

Cindy Davis - After being an editor for so many years, I am hard to please. I choose a complicated plot--usually mystery. I enjoy unraveling plot lines.

Luna Sweete - If a book has a horrible cover or an uninteresting blurb I will not pick it up and buy it or read it. It could be the best book in the world and I would never know it.

Aleksandra Zaric - For me it’s always been the initial appeal of the front cover. If the synopsis sounds okay and it’s within the genre that I like, then I’ll buy it. The price is not really a concern. I think it’s really worthwhile for any self-published author to utilize some of the best cover designers in the industry. It is really worth the investment.

Tip O'Day #282 - How Do You Choose a Book?

2012-02-03T09:29:00.000-07:00

How three readers select what to read:

Tami Kidd - I have a lot less time for reading now, but when I do I read what I think I will enjoy. I usually stick to mysteries, paranormal, some romance. I have a two hour commute to work every day, so audio books have been a blessing.

Cathy Speight – I’ll read anything, especially if it is a genre I have not tried before. Review list aside, I have a somewhat eclectic taste in books. I only read e-books (clarity, font size, etc). I download heaps of free books. Unlike some, I don't believe free = crap. (I also pay for books, within reason.) I glance at the ratings. If they are consistently poor, I will probably give the book a miss, but if they are mixed or consistently good, then I'll give it a go. I buy books on recommendation, also.

Deborah J. Hughes - I look at the cover, of course, but what determines it for me is the blurb. If the blurb is not written well, I expect the book won't be either. So that's it. I buy a book on personal recommendation, reviews and their ratings, and a well-written blurb.

Three more readers speak up tomorrow.

Tip O'Day #281 - A Writing Coach

2012-02-02T18:20:00.000-07:00

Guest blogger Rebecca Scarberry on being coached.

Once in a while someone enters your life and you learn something from that person that changes your life forever. As an aspiring author of fiction that happened to me when I met author Des Birch. I read three books written by him and gave all three 5 star reviews. It was after Des read a short story I had written, he decided to coach me.

It took a while, but it finally dawned on me, he wasn’t trying to teach me to write in the same style as he writes or the same genre. Des was trying to get me to fully understand my protagonists, practically, physically and psychologically. I now see that you can’t even begin to write a story until you do. If you don’t, the readers spot this right away and when they have finished reading your story, they have too many unanswered questions. With each character in your story, you must become that person to a great extent.

To learn more about Rebecca, go to her blog or check out The Kindle Book Review.

Tip O'Day #280 - Bad Reviews from Mean People

2012-02-01T07:58:00.000-07:00

Guest blogger Deborah J. Hughes on reviews.

Although authors can get friends and family to write a review, I'm thinking it isn't as easy as they think. In my case, the ones who wrote a review genuinely liked the book. For those who didn't think the story was their cup of tea, they chose not to review it. That doesn't mean the reviews written by those who did like it should be dismissed, however.

As for me, I won't buy a book that hasn't been reviewed. I don't pay attention to 1 and 2 star reviews. Even the really bad books deserve some credit for being written (it's not easy to write a book!) and I think people who give 1 and 2 stars are just being mean. If you have real issues with a book, personally contact the author and tell them what bothered you; give them a chance to decide if they agree and fix the issues.

Dixon says: When I’m asked to review a book, I explain my procedures to the author. If I feel the book is worthy of 4 or 5 stars, I’ll post that review without any discussion. If I think it deserves 3 stars or less, I’ll forward my review to the author for his or her consideration. Some writers are happy with any reviews, no matter how negative, whereas other authors feel a review of 3 stars or less can hurt future sales. Since I am also an author, I think it’s a professional courtesy to allow the book’s writer to decide whether or not to publish the review.

Tip O'Day #279 - Who Do You Write For?

2012-01-30T13:26:00.000-07:00

Guest blogger Thomas Avery on writing for your audience.

I believe, as an Indie writer, I connect best with people of similar interests, rather than a broad audience.

My writing entertains me and that is who I write for first. Not everyone wants to read a mystery about an actor/aviator from the 1930's who drinks too much. My passions have always been mystery novels, classic films and aviation. I have tried to inject these into my novel and I had fun, too. My philosophy: if it entertains me, it will entertain someone else too.

This author writes under the name T.E. Avery and his first e-book will be published soon on Kindle. Learn more here.

Tip O'Day #278 - Think in New Ways

2012-01-28T11:23:00.000-07:00

Novelist Amy Charlotte is today’s guest blogger on the topic of freshness.

Try to describe things in fresh, new ways. I can't emphasize that enough. Avoid cliches. Write about what you're passionate about. When you're writing imagine the smell of an absent lover's shirt.

Listen to songs that evoke strong feelings. The Elvis tune, “I’ll Be Home on Christmas Day,” is one of my favorites to listen to while writing.

Dixon says: It's amazing how sensory inputs can lead to more sensory writing. An old lover of mine liked to sprinkle herself with baby powder instead of cologne, and the talcum scent never fails to put me in a bittersweet, reminiscent mood. For me, listening to favorite old artists like Moody Blues, James Taylor, Electric Light Orchestra or Carly Simon also seems to get the creative juices flowing.

Tip O'Day #277 - Audiobooks

2012-01-27T20:58:00.000-07:00

Guest blogger Judith Deborah on cruising with your favorite books.

I adore a good story, and am a hopelessly smitten movie buff with fangirl-esque attachments to certain actors and actresses. I'm also a mother of young children with very little quiet time in which to read. All this has made me an ardent proponent of the audiobook. My iPod is loaded with them, and I've burned more books to CD than I can count. I've thus been kept happily entertained through many an evening's cooking or afternoon of shuttling around town from one after-school activity to another.

A monotonous or uninspired narrator can crush a book, so tread carefully. Actors, particularly British actors, are often an excellent choice, as they are trained at accents and stage performance and are able to bring a whole range of voices to life. Performers like Robin Suchet, Juliet Stevenson, Derek Jacobi, and Alan Cumming are a joy to listen to; their performances are so fine, and so carefully thought out, that they bring new layers of nuance to the material. Juliet Stevenson's reading of Barbara Pym's wonderful novel Excellent Women, for example, is pitch-perfect, as is Patrick Tull's reading of The Hound of the Baskervilles and Robin Bailey's reading of Agatha Christie's The Murder of Roger Ackroyd. At the top of the heap is the incomparable Jeremy Sinden, whose readings of a handful of P.G. Wodehouse's novels are all hilariously on-target.

Fans of twisty mystery stories can find Judith’s newly released novel, A Falling Knife, available in paperback and for the Kindle. Also, check out her website.

Tip O'Day #276 - Universal Themes

2012-01-26T12:26:00.000-07:00

I rarely recycle old blog posts, but this one seems worth revisiting. It was Tip O’Day #15 from a year ago, written by Yours Truly - Dixon.

Have you ever read a story – even a full-length novel – and wondered “so what?” Okay, some guys rob a bank and in the end they all die in a hail of bullets. Or geeky boy meets hot girl and loses her due to a falsehood, but they get back together in the final chapter. Or a wealthy CEO has his job, reputation and lover stolen, but manages to climb back to the top.

So what?

There are Universal Themes found in literature. “The moral to the story,” so to speak. There are many opinions about what they are, but I like a recent post by Rachel Mork which is found here.

She lists 12 Universal Themes:

1. Man struggles against nature.
2. Man struggles against societal pressure.
3. Man struggles to understand divinity.
4. Crime does not pay.
5. Overcoming adversity.
6. Friendship is dependent on sacrifice.
7. Importance of family.
8. Yin & Yang: Just when you think life is finally going to be easy, something bad happens to balance it out.
9. Love is the worthiest of pursuits.
10. Death is part of the life cycle.
11. Sacrifice brings reward.
12. Humans all have the same needs.

Maybe I’m way off base, but I think much of the distinction between literary fiction and commercial fiction has little to do with grammar, vocabulary, style or subject matter. To me, it comes down to whether plot is primary, or whether the Universal Theme is supreme, woven through practically every page of the work.

Of course, there are other considerations. Much of genre fiction follows a fairly strict formula, and many authors of book series don’t create much of a character arc for the protagonist. But ask yourself – is a Universal Theme threaded through the novel, or is “the moral of the story” mostly an afterthought, even inferred?

Saying for Writers #110 - Vorse

2012-01-25T22:20:00.001-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

"The art of writing is the art of applying the seat of the pants to the seat of the chair." - Mary Heaton Vorse

Tip O'Day #275 - Wet Behind the Ears

2012-01-24T14:42:00.000-07:00

Guest blogger Tami Kidd on some surprising (to her) achievements.

(After raising two children and the turmoil of an unhappy marriage,) I now have the time to do what I've always LOVED to do, write.

Until last year when I entered the NaNoWriMo challenge, I never dreamed I'd actually finish a novel. I did. As part of finishing, the winners were allowed to get hard copies of their books published through CreateSpace.

I never previously considered self-publishing, mostly because it was called vanity publishing and real writers didn't do that. They were supposed to get published through traditional publishing houses. I decided to give it a shot and now my book is available through Amazon and Barnes & Noble and it has gotten some great reviews. I still consider myself wet behind the ears and I'm learning as I go. I know one thing: the hardest part about publishing is promoting.

Tip O'Day #274 - Covers that Kill

2012-01-23T08:39:00.000-07:00

Blog host Dixon Rice on effective e-book covers.

I’ve been editing comments for a blog post I'm planning next week about how readers decide to choose the e-books of unfamiliar authors. There seem to be five primary factors: cover design, the blurb, sample pages, reviews & ratings, and recommendations from friends. As authors, there’s little we can do about the last two, but I’ve got some thoughts on the others. Although I’m no graphic design pro, I’ll start with book covers.

In my humble opinion, it seems many self-published writers (and some designers) begin with a concept that works well at hard cover size, and then reduce it to thumbnail size for the e-book. This often results in a cover with jumbled images and teeny-tiny, illegible text.

Other problems with e-book covers may include: (1) Not reflecting the genre or subject matter; (2) Type that’s out of sync with the imagery or genre; (3) Typography that’s too complex, too busy, or lacks contrast with background; (4) Visual confusion from competing images and types; and (5) A lack of focus.

Let me share a bit of the journey with my thriller e-book, the first of a serial killer vs serial killer series set in the early 1970s. I worked with Suzanne Fyhrie Parrott - after discussing The Assassins Club with me, she emailed a series of rough concepts, shown here. I liked the feel of the body outline but thought it was too clichéd. The black/gray bearded character doesn’t appear in later books of this series, so that was out. I liked the scarlet winged logo a lot, and that ended up in second place. The beer stein pierced by a knife appeared dramatic, but I never warmed to that image - not sure why.

Since quite a few scenes take place in a rundown Montana roadhouse where the antihero bartends, the cocktail glass best reflected the story. But it didn’t yet “say” serial killer. And there were perspective issues – the top and base of the glass were equally in focus, as well as the cocktail napkin. Turning the glass to a sideways view solved the perspective problem. Suzanne and I brainstormed a few changes – the handle of a pistol in the corner, or a couple of bullets standing next to the cocktail glass. We wanted to better reflect the story, without making the cover too busy. Then I mentioned “bullet holes” and Suzanne sucked in her breath. The next day, she emailed me a design which became the final cover with very little refining.

Dixon blogs, well...right here at Wredheaded Writer. The Assassins Club is available on Kindle or Nook.

Saying for Writers #109 - Cheever

2012-01-22T12:26:00.000-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

“For me, a page of good prose is where one hears the rain [and] the noise of battle.” - John Cheever

Tip O'Day #273 - The Freedom of Fantasy

2012-01-21T20:22:00.001-07:00

Guest blogger Rosalie Skinner, author of the 8-book Chronicles of Caleath series, on resources and tasks of a fantasy author.

For a fantasy writer, every sunset inspires. Even a cup of tea, a taste, a smell, a chance encounter adds fuel to the colour of Caleath’s world. A science article read, a whale watching trip experienced, a near death moment survived, a broken relationship shared, grief, life, love – not a moment of life escapes as trivial. Every experience becomes a resource for my novels.

That’s the freedom Fantasy allows. The fantasy writer must incorporate endless research and her version of reality, while keeping things believable. Doing this with skill and finesse is the writer’s task. Getting readers to empathize with the world you create is the benchmark of successful fantasy writing.

Learn more about this author at her website or her blog.

Tip O'Day #272 - What a Difference a Comma Makes

2012-01-20T17:02:00.000-07:00

Guest blogger Gael McCarte on eliminating common mistakes.

“Let’s eat grandma.” – Why? Won’t grandpa miss her?

"(The girls) …were jumped by three men as they went for a walk in their long dresses." – Really? Imagine being jumped by men wearing long dresses?

Missing punctuation, inattention to detail, dangling modifiers – these are common mistakes. The cure? Read it out loud! They are funny when someone else writes them, deeply embarrassing when you do. Such mistakes hide from the eye but are more obvious when spoken.

To learn more about Gael, check out here.

Tip O'Day #271 - Clear Your Mind

2012-01-19T08:05:00.000-07:00

Guest blogger Heidi Mannan on creativity.

Relax. Creativity is the the lifeblood of good fiction. To tap into raw creativity we have to turn off our logical left brain. The only way one can accomplish this is through relaxation.

Sometimes relaxing during plotting or writing can be hard. We want our characters to be well-rounded and sympathetic. We want the plot to clip along at the perfect pace, the setting to entice, the voice to charm. It's a tall order and can bring stress into a writer's world. But stress is the enemy. If we're tense, our minds freeze. If we're worried about our stories, our creative flow chokes. We have to let it all go.

One of the best ways to do this, to clear the mind of left brain antics and free our creativity, is through physical exercise. It doesn't matter what kind of exercise as long as it's intense enough to make us focus on it instead of our stories. Not only does exercise provide space for the unconscious to come in, but it increases blood-flow to the brain, which makes us smarter. A smarter brain mixed with right brain activity makes for some seriously creative problem solving.

Another way to relax and get out of the left brain is to meditate. Watching dancing flames, listening to rhythmic drumbeats, and taking a hot shower are proven methods to creative inspiration. I personally find long walks in the woods very inspirational.

To learn more about Heidi, check out her website.

Tip O'Day #270 - Writing Output

2012-01-18T22:40:00.000-07:00

Guest blogger Charles O. Maul doesn’t believe in writer’s block.

Write every day no matter what comes out. Force yourself to do this and things will right themselves.

Tip O'Day #269 - Traditional Publishing

2012-01-17T12:21:00.000-07:00

Guest blogger Jonnie Comet (from a Q&A pamphlet prepared when his novel Deirdre, the Wanderer was being marketed).

The current model of publishing, espoused by all the major publishers, retailers and, unfortunately, most authors is to have an expensive, premier agent in Manhattan approve your book, send it to a large, famous and well-established publisher as well as to his friends at the New York Times, have Ingrams distribute it to Barnes and Noble, and then sit back and wait for the Today show to schedule your TV interviews and the filmmakers to call. Though a precious few do find success this way, what I call the ‘B&N model’ is inherently flawed in numerous ways.

Conspicuously, it gives voice to only a very elite few. If the agent has never heard of you, he will regard your voice as unimportant to the market and unlikely to earn him any money, since if you were any good he would have heard of you. Notice that, besides being circular logic, this attitude cements the agent(s) as the chief arbiter between what gets said by whom to whom, the gatekeeper of free speech in a free market.

And just because something is not out in the market now doesn’t mean it wouldn’t do well in the market if some industrious marketer got off his bottom and set to work. To me, the very fact that it’s not there suggests an opportunity. A marketer should want to be the first and only one to discover new talent and to reap the benefits. But to the average publisher or agent, the fact that it’s not there, for whatever reason, suggests that it has no right to be. He’d rather take an easy 15% from a sure thing.

This model of publishing has existed since at least the 1920s and remains the default which many people think is the only sensible way to publish and market books. It’s flawed ethically and economically. I’ve tried for years to figure out why it persists; and I can only imagine that it’s centred in ego or establishmentism, something more having to do with the personalities in question than with logic, common sense or marketing savvy.

You can learn more about this author at Jonnie’s blog.

Tip O'Day #268 - Motivated by Junk

2012-01-16T11:09:00.000-07:00

Guest blogger Ellie Mack on an inspirational book.

I’m an avid reader, and am often inspired by books. I've read some really bad ones, too – which have motivated me to keep pursuing my dreams.

I once read a book that in the first chapter, the female protagonist goes to the door, knocks and waits. When she approaches the massive wooden door, she’s wearing jeans, a polo shirt and sandals, and has shoulder length honey blonde hair. As she looks over the rail at the valley below, apparently she undergoes a wardrobe change and total makeover. When some guy answers the door, he takes in her sight - khaki trousers, a button down oxford, and her flaming red hair is now cut in a swing bob. Seriously? And this got published? Well, that book continued to puzzle me with discrepancies and a failing plot. If that author could get published, why can't I?

I still have that book. I won't ever read it again, but it's a motivational tool for me.

Tip O'Day #267 - She's an Indie!

2012-01-15T15:18:00.000-07:00

Guest blogger Kathy Rowe on self-publishing.

My first venture into self-publishing was Mind Games. Doing a 190K word book was probably more than I should've done but I took my time, did more research, and learned the hard knocks of formatting.

After two years of hard core writing and publishing, I have three full-length novels, one novella, and nearly a dozen short stories out. My books can be found on Amazon, Smashwords, BN, All Romance Ebooks, and BookStrand. I'm by no means financially successful. In fact I'm looking at about $100 in royalties this quarter.

Many ask me why I decided to remain Indie. Well, I think the greatest incentive is FREEDOM. I can write what I want (if it sells or not, well, I'm to blame). I can publish when I want, not having to wait 2-5 years for a traditional publisher to start the presses running. I keep a greater percentage of the royalties, control my book covers, and am free to impart my personal side into my writing. Would I take a publishing contract if offered? Maybe - if it was juicy enough!

Until the big publishing contracts and movie deals start rolling in, I'll happily remain an Indie author, publisher, and farmer.

To learn more about Kathy, check out her blog.

Tip O'Day #266 - Have No Fear

2012-01-14T12:42:00.000-07:00

Guest blogger Raquel Monday has a writing blueprint.

Never be afraid to delve into the unknown; it will remain unknown if you never venture into it. I write genre-bending books and enjoy going from one to another. I usually write two books at one time, one being intense and one being a children's fairytale or poetry.

When I get stumped as to what direction the storyline is going I use a sketchpad envisioning where I want the characters to go and how they will get to the end of the story, sometimes this helps me with the words if I have a visual to go by. Kind of like a blueprint.

Learn more about Raquel at her website.

Tip O'Day #265 - A Personal Mission

2012-01-13T19:21:00.000-07:00

Guest blogger Jeannie Walker on a story close to her family.

My true crime book Fighting the Devil: A True Story of Consuming Passion, Deadly Poison and Murder is about the killing of my millionaire ex-husband. He discovered his new wife and bookkeeper had stolen thousands of dollars from him. After he demanded the money back, he started getting sick. While he was in the hospital, doctors were mystified as to how an otherwise healthy, energetic man could become so deathly ill. He told everyone within earshot that his wife and bookkeeper were killing him. He died in the hospital while strapped down to his bed with restraints on his hands and feet and tubes in every orifice.

At the request of the Sheriff, I became a sleuth to help solve the murder. I did, in fact, help law enforcement solve the crime. My children filed a civil suit against the widow, which gained us access to medical reports and other facts which I used in the book. I also attended the trial and secured the court transcript.

I dedicated my book to the Sheriff, who sadly passed away before he saw any justice in this case. Although it cost me thousands, I self-published the book. I did not send the manuscript to any agents or publishers, mainly because I did not want to sign away any rights. The story has been in the national news and has been the subject of two TV documentaries.

Tip O'Day #264 - "One Sentence Writing Tips IV"

2012-01-12T22:38:00.000-07:00

Over the holidays, I asked folks in my online network to share one-sentence writing tips. We’ve been looking at them all week, and here’s the Final Five.

Mike Snyder – “Write characters, not caricatures.”

Linda Swink – “There is no one right way to create a story.”

Kristen Wood – “Fall in love with your characters; if you don't, no one else will.”

Mark Terry – “Omit unnecessary words.”

Claudette Walker – “Enjoy your writing or others will not.”

Dixon says: Mike and Kristen rang my bell with their comments, since I write character-driven fiction. I often start out with a flawed character in a challenging situation and then ask, “What if…?” When I see clearly what the first 3-4 chapters will look like, and have a foggy idea of the resolution, then it’s time to start putting ink on some perfectly good paper. To me, a cast of strong yet imperfect characters being forced to make difficult choices creates the plot, not the other way around.

Linda’s comment is spot on – there are many roads that will take you from page first to page last. Taking the easy path often results in writing that feels safe and familiar – and boring. Fight your way through the brambles instead of following the freeway. You’ll probably run into Linda somewhere along the way.

My first drafts are always fat, and then I put Mark’s advice to work, weeding out words and phrases that aren’t absolutely vital. I keep thinking I’ll get to the point where removing one additional word will change the entire story; however, the truth is that I eventually get sick and tired of editing.

Claudette’s tip is last for a good reason. Writing should be enjoyable. I recognize that some folks write for therapeutic reasons, to cast out the demons of a toxic upbringing or brutal relationship. All of us have moments when fighting our way through a scene is only slightly easier than battling a battalion of orks. Even so, there is satisfaction in coming up with the right words to describe a key scene, penning a character so readers everywhere will recognize the type, and arriving at long last at those magical words, “The End.”

Tip O'Day 263 - "One Sentence Writing Tips III"

2012-01-11T21:42:00.001-07:00

Over the holidays, I asked folks in my online network to share one-sentence writing tips. Here are four more.

Jackie Pelham – “Let the muse flow then wait a few days and edit.”

Dixon Rice – “Most of us can’t find our own mistakes; if there isn’t a local writing critique group, start your own.”

Gil Roscoe – ‎"One must stand up to life before one sits down to write." (Thoreau)

Michael Snell – “Replace ‘Driving my car down the road, I threw a can out the window’ with ‘Driving my battered green 1997 Subaru down Route 6, I threw an empty Diet Mountain Dew can out the window.’ “

Dixon says: Michael provided a great example of using specific details to breathe life into a scene. Jackie and Gil got in touch with the soul of the writer. Me? All I could come up with was a crappy little nuts-n-bolts tip about getting out of the house in a way that doesn’t make your Significant Other suspicious. Sigh…

Tomorrow, more one-sentence writing tips from Mike Snyder, Linda Swink, Mark Terry, Claudette Walker and Kristen Wood.

Tip O'Day #262 - "One Sentence Writing Tips II"

2012-01-10T18:13:00.000-07:00

Over the holidays, I asked folks in my online network to share one-sentence writing tips. Here are four more.

Karen Mueller Bryson – “Be precise and concise; eliminate all unnecessary words.”

Kathy Dunne Dunnehoff – “Be a finisher!”

Ellie Mack – “Writer's write; it's what separates us from the pretenders and wannabes.”

Charles O. Maul – “Get an agent and go for it.”

Dixon says: Like yesterday’s tips, these are all great. Karen certainly hit the nail on the head. In my critique group, I’ve found many of my comments concern word choice – either picking the wrong word, or using eight words when a couple will do. Kathy teaches writing at the local college, and knows whereof she speaks. I’ve heard that literary agents spend huge amounts of time pushing authors to finish works for which the writers already received an advance. I thought of Ellie’s comment when I stopped at the dry cleaner today; the clerk told me, “I’ve always thought of writing a book…” Finally, I like Charles’ advice. Even if you don’t land an agent, the pursuit is good for the soul. By writing a query and synopsis, and polishing your book so it’s ready for submission, you’ll learn a lot about the craft of writing and the heart of your story. If nothing else, you’ll also learn patience.

Tomorrow’s post will feature one-sentence tips from Jackie Pelham, Gil Roscoe, Michael Snell and yours truly.

Tip O'Day #261 - "One Sentence Tips I"

2012-01-09T08:16:00.000-07:00

Over the holidays, I asked folks in my online network to share one-sentence writing tips. I’ve received sixteen so far, and will put up three or four a day while inventory lasts. If more tips dribble in, I’ll make room.

MaryChris Bradley and Melanie Jackson contributed variations on “Plant your butt in the chair and write.”

Gail Buesnel – “Dangle participles at your literary peril.”

Jonnie Comet – “All good stories are about characters.”

Dixon says: These are all excellent. MaryChris and Melanie remind us of the difference between writers and wannabes - the discipline to sit down and write something on a regular basis. Gail's tip makes me think of the poorly edited self-published books I've seen lately that were rife with misspellings, run-on sentences, misplaced modifiers, tense confusion, and subject/verb mismatches. If you're a lover of language, it's enough to make you cringe. Finally Jonnie reminds us that, even in a tightly-plotted tale, character is what keeps the reader turning pages.

Tomorrow will see concise tips from Kathy Dunnehoff, Ellie Mack and Charles O. Maul.

Novel Excerpt Exchange #3 - James Kellogg

2012-01-08T12:47:00.000-07:00

Novel excerpt exchanges help expose readers to new authors, as well as being a way for writers to support one another. This is the third one for me.

The selection below is from novelist James D. Kellogg. He is a civil engineer by training and an outdoor enthusiast by choice, and both elements are obvious in his thriller, E-Force. He and his wife Kristen are raising their four kids near Glenwood Springs, Colorado. You can contact James by email or visit his website.

This 1,200-word excerpt is from chapter 5 of E-Force.

Tempers were flaring at the manager’s meeting. Colt was certain that the Salem Witch Trials couldn’t have been more chilling. With the suddenness of an ocean squall, the forum had degenerated into a hostile volley of accusations and defenses. The handwriting on the wall was plain for Colt to see. The days of EcoFriends were numbered.

A female manager turned on the other five women. “I’m not paying the price for the bitch that ratted on us! Everybody knows I’ve put my heart and soul into this organization.”

“You’d sell us out in a heartbeat if you could profit!” One fiery vixen charged at the haughty accuser. “How much is the FBI paying you?”

“That’s right. Fight it out!” A man pumped his fist.

“Let’s make them all take polygraph tests.” One board member stepped between the two potential combatants.

“There’re better ways to get a confession than that,” another person said.

“Enough of this!” Howard Anderson finally took control. “We’re tearing ourselves apart because of one traitor. If we’re going to survive, we’ve got to stick together. The truth is going to come out. Whoever is guilty has one last chance for redemption. I’ll give you until the end of the week to come to me and confess. Then we’ll figure out how to make things right again.”

Adjournment was an armistice in an escalating war. At the reprieve, people scattered. Colt looked for Deb, but she was gone. The air in the building seemed poisoned. He hurried outside where he could breathe.

“Damned horde of barbarians,” Colt muttered on the sidewalk, shaking his head with disgust for the behavior his colleagues had exhibited. The organization was supposedly founded on trust and loyalty, yet every leader was bent on crucifying one of their own.

Anderson has lost his mind. Colt stormed toward the street. It was insane to prop up the terrorist group E-Force as a means to stabilize EcoFriends. It’s like skydiving without a parachute so you didn’t risk getting tangled in the lines. Everybody’s following him into the sea like a bunch of damned lemmings.

Without a doubt, Colt regretted his involvement with EcoFriends. Foolishly, he’d been a complacent passenger in his life and work. It was time to move behind the wheel and take command. EcoFriends was going to be part of the past, not the future.

“Colt, wait for me!” a familiar voice said.

Colt turned to see Deb dart across the street. A car braked to avoid running her down. She drew alongside Colt, ignoring the blaring horn as the vehicle resumed course.

“You almost got killed!” Colt was alarmed by Deb’s reckless action.

“What does it matter?”

“I don’t understand why you would ask that.” Colt evaluated his friend’s pale sickly appearance. “What’s going on? Where’ve you been?”

“Vomiting in the restroom.” Deb’s voice wavered. “We need to have that talk.”

“Let’s get away from the street.” Colt grabbed her by the arm. “I’ll walk you to your car.”

The pair didn’t speak during the brisk trip to a parking lot at the end of the block. When they reached Deb’s vehicle, she couldn’t contain herself any longer.

“Colt, can I trust you to keep a secret?” Deb asked in a hushed tone.

“Of course you can trust me,” Colt said, frowning. “What’s going on Deb?”

“I’m the one who went to the FBI. I told them about the money laundering.”

“So it was you.” Colt’s pulse quickened. “Holy shit. The meeting must have been a nightmare for you.”

“I can’t believe what’s happening.” Tears welled up in Deb’s eyes. “When I called from a payphone, the FBI agent promised my statements were confidential. I don’t know how Anderson found out. Colt, I’m scared.”

“It’s going to be okay.” Colt dabbed a tear from her cheek. “Nobody can pin the leak on you.”

“There’s more to the story.” Deb’s eyes were hollow. “All the dirty money went to E-Force.”

Colt’s heart skipped a beat at the assertion. Deb had uncovered the truth. Months ago, Colt had discovered that tens of thousands were going to E-Force. But he had done nothing. Like a fool, he continued to divert funds from his chapter, knowing the money was being laundered and funneled to E-Force.

“Is that what you told the Feds?” Colt sputtered. “How do you even know that?”

“I overheard a conversation between Anderson and Cain. And, yes, I told the FBI!”

“Deb, keep your voice down.” Colt cast a nervous glance around. “Maybe we should talk inside your car.”

“I haven’t told you the worst part,” Deb said after they were seated in the vehicle with the doors shut. “I’m not sure if I should.”

“What could be worse?” Colt felt as if he was about to be sentenced by a judge.

“Zed Cain is part of E-Force.” Deb was trembling. “If he finds out I know the truth, he’ll do something terrible. Colt, I don’t know what to do.”

“Just calm down.” A shiver rippled through Colt’s body. “This is bad, but I won’t let anyone hurt you. Did you tell the FBI about Cain?”

“Not yet.” Deb was obviously struggling to retain her composure. “But I’m going to. It’s the only way to stop these crimes.”

“But you don’t know who tipped off Anderson.” A light bulb went off in Colt’s head. “Maybe he’s got somebody inside the FBI.”

Deb shook her head with doubt. “We’re talking about Howard Anderson, not some foreign government.”

“Then how did he find out?” Colt’s unease was growing. “That’s a serious question, and we’ve got to find an answer.”

“Once Cain and Anderson are behind bars, it won’t matter. Then I’ll be safe.”

“It’s not going to be that simple.” Colt gripped Deb’s shoulder and looked her in the eye. “Something’s not right. There’s a hidden trap waiting to snare anyone who decides to be a hero.”

“Then what am I supposed to do?” Deb thumped a fist against the steering wheel. Another tear rolled down her cheek.

Colt suddenly felt conspicuous. “I don’t know yet, but we need to continue this conversation at a different time and place.”

“Okay, you’re right.” Deb nodded and reached for a tissue. “I’ll call you when I get back to Boise.”

They hugged for a few seconds before Colt stepped out onto the pavement. Deb ventured a weak smile and waved goodbye. Feeling lost and lonely, Colt looked after her car until it was swallowed in the traffic.

With eyes cast downward, Colt turned and walked away. Before he traveled twenty paces, a shadow crossed his path. Colt looked up to find Zed Cain standing in front of him. The man’s tall figure was imposing. With long black hair, he resembled a fierce Comanche warrior from days of old. Colt stopped dead in his tracks.

“Are you lost?” Cain asked without an ember of warmth.

A chill went down Colt’s spine. Did the alleged E-Force member suspect something? Maybe he overheard part of the conversation with Deb.

Colt managed a dismissive air. “I forgot where I parked. My vehicle’s over there. See you at the next meeting.”

Colt moved past Cain and retreated toward his Land Cruiser. He maintained a casual stride and resisted the urge to cast a backward glance.

Tip O'Day #260 - Beware of C.O.F.A. Syndrome

2012-01-07T12:32:00.000-07:00

Guest blogger Rosalie Skinner, author of the 8-book Chronicles of Caleath series, says to beware of becoming a Compulsive Obsessive Fantasy Author.

Imagine being able to travel to any time and place in your imagination. With no restrictions on world size, character numbers or physical laws. Take your pick of character traits, cultures, hierarchy, and villains, throw in a heroine or two, add a hero worth following to the ends of a dozen worlds. Bring with your imagination a set of circumstances that might give your troupe of heroes a little grief, a chance to shine, grow, fail, succeed, discover, teach, learn, and love.

Sound like fun?

Take care though. This daydreaming of other worlds, creating details, forming climates, cultural differences, standards and religions can be compelling. The danger lies in becoming obsessed. I speak as one who has been there. When you find each day spent in reality clashes with the moments you are able to retreat back into the world of your creation, it’s time to write. Write, and keep on writing.

Eight books later, the story is down, the conflict resolved, the characters are finally quiet. For now. There are rumblings, still. The danger doesn’t dissolve. It remains in the shadows, in the quiet moments when imagination can run amok.

Learn more about this author at her website or her blog.

Dixon says: Of all my addictions and obsessions, writing is my favorite.

Tip O'Day #259 - An Eclectic Reader

2012-01-06T20:30:00.000-07:00

Guest blog Aline Tayar on reading eclectically.

I find much modern literature disappointing so keep going back to the classics. Have just finished The Darwin Economy - a book I learned about when the author appeared in a radio debate and was attacked very rudely by the libertarians in the audience. BBC and NPR on radio are especially good sources of information on books. The Observer too. I’m currently working on short stories and trying to decide if I should self-publish a novel or hold out for an agent - the process of searching for one is so dispiriting.

Tip O'Day #258 - Being Indie

2012-01-05T22:38:00.000-07:00

Guest blogger Thomma Lyn Grindstaff on writing and getting published.

One of my novels is published with a small press, but since then, I decided to take the independent author route. I love the freedom of self-publishing, though there's nothing wrong with choosing a small press, either, or with going for publication with a larger publisher. It's a decision every author must make for herself, and there's nothing wrong with changing tracks if that's what an author believes is right for her art and career.

In today's environment, where the publishing industry is changing so rapidly - largely due to the rise in popularity of e-books - writers are presented many choices. The Internet brings with it opportunities of which writers of yesteryear could only have dreamed. Regardless of which path (or paths) a writer chooses, she should continually work to hone her craft. There's always something new she can learn. In my opinion, it's better to write from the heart than to chase fads; a writer should strive to write the story she would most want to read.

Speaking of reading, the best thing an aspiring author can do is to read widely. The best authors, to my mind, are also voracious readers who love both skillful words and engaging stories.

Thomma blogs here and her website is found here.

Tip O'Day #257 - A Publisher is Born

2012-01-04T09:47:00.000-07:00

Guest blogger Lynn Hubbard on being Indie.

A passionate writer, I only write when I’m inspired. I can go weeks without working on my book and then sit down and write thousands of words at a time. I do not use a timeline; I get into my characters’ minds and write whatever they would do given the situation.

So my writing style is very different from most romance books. People either hate it or love it. I’m very glad many more people love it! I don’t think I could write with a deadline; it would be too stressful for my characters. Therefore I’m an Indie. An independent author. For a long time I did not realize that I was an Indie. I just wanted to do it myself. I’m very artistic and love designing and creating whether it is a novel, a cover, a website, etc.

I didn’t want someone picking apart a manuscript that I poured my heart into, so I decided to self-publish with an online company. I was tickled to death at first, and then I started looking at the numbers. Everyone gets some. Later I read a book that inspired me to start my own publishing company. So I did and Lemon Press Publishing was born. Not only do I publish my own books but I also help other Indies get their books online or into print.

For more on Lynn’s books visit here and her publishing company is found over here.

Tip O'Day #256 - "Blind Dates"

2012-01-03T14:59:00.001-07:00

Guest blogger Mark Souza on how readers choose a book.

Readers choosing their next book are similar to someone searching for a date at a club or watering hole. Reviews are like exhortations from friends before a blind date. This is not usually enough to seal the deal. Your friends’ opinions don’t always jibe with yours. You want to see for yourself if you’re a match.

Say we have entered the Barnes & Noble Bistro and Bar on a busy Friday night. There are a plethora of choices, including the one recommended by your friends. The first thing you’ll do is pick out those you find attractive. The cover is the first evidence of what to expect. A good cover is one that makes the reader stop and look closer. Does it catch the eye? Does it set the tone for what’s inside? Does it look professional?

After narrowing our candidates to a handful, we’ll want to dig a little deeper. In our dating analogy, we’d sit down and start a conversation to find out what we have in common. In terms of books, this is where we read the blurb. Here we’ll learn about the genre and premise, and whether the author can write worth a damn. If an author can’t hold your interest for one paragraph, what hope is there of holding your attention over 300 pages?

Then we may crack the book open and read the first page or two. Readers look for voice, effective language, and a story that grabs them by the lapels on page one. Spelling and grammatical errors or lifeless prose are huge danger signals.

So whether browsing for a book choice, or looking for a date at the local watering hole, the selection process is same. Physical attraction often comes first and then it’s time to look deeper. A book has to convey a bevy of positive cues in a very short amount of time in order to be selected, and there is very little tolerance for shoddy appearance, obvious flaws, or flaccid prose. Take a little time and do it right.

Connect with Mark online at his website.

Tip O'Day #255 - Book Signings

2012-01-02T12:09:00.000-07:00

Guest blogger Deb Peters has a different viewpoint on book signings.

I don't normally have my book signings at a book store, because I feel it is so impersonal and the book store only does it so people will buy a book – one you brought or one from their store. I have something different each time and I get all kinds of responses. I also get new readers who might not have known I existed. With me, you get to know the author and what drives her to write time after time in different genres for all different ages. Meeting me is like going to a book store but more personal. I am very outgoing and love people. I will not get offended if you do not buy my book. In fact, I will tell you which libraries my books are at. I want the reader to enjoy my books while I am still alive.

So what is a book signing to me? It's where you get to meet the author and learn about all their books. If you like one or two and you have the money, you can buy one. If the author sells out, they can order you one. If you already have one, bring it along, and the author signs every book sold and ordered and delivers it back to the reader. If you use reading devices to read, maybe you can just meet the author and let them know you liked or loved it.

Dixon says: It's interesting having followers from different genres in different countries - India, New Zealand, Germany, England, Denmark... The picture here is from Kosovo.

Tip O'Day #254 - Writing Resolutions

2012-01-01T12:07:00.000-07:00

Guest blogger Ellie Mack on making (and missing) goals.

I have magazine articles, and a shared column that I've been published in. So far, I have never submitted a novel for publication. That was my goal for 2011; however I wasn't as diligent as I should have been. Also, that pesky thing called bills has kept me pretty busy doing other jobs, cutting into my writing time.

I am currently pursuing some online articles, as well as continuing my novels. I have two completed novels but haven't finished editing them. I also have several in various stages of completion. I keep working towards the goal of being a published novelist but still, I can honestly call myself “published.”

Dixon says: I thought this guest post from Ellie would be appropriate for the first day of 2012. It seems not a week goes by without someone telling me, “I’ve always thought about writing a book.” The difference between authors and all those folks thinking about authorhood is simply this: doing something about it on a regular basis.

I don’t care if you only write one good sentence each day. In a few years, you’ve got a novel written. And as Sidonie Gagrielle once said, “Writing only leads to more writing.” After a while, one good sentence a day just isn’t good enough.

Happy New Year to you, and to those you love, and to those loved by nobody.

Tip O'Day #253 - From Real Life to Fiction

2011-12-31T13:08:00.000-07:00

Guest blogger Kathy Rowe on fiction “torn from the headlines.”

I agree with the recent guest post on Wredheaded Writer about taking true life events and turning them into fiction. Actually I take it a bit farther. In my Dragonslayers Saga, I take real world events and turn them into a coulda-shoulda-woulda type of story taking place on a governmental scale. What would happen if a new, deadly explosive was discovered that bomb dogs and other testing devices couldn't detect? How would terrorists exploit this technology? How much damage could they do on our home soil? How could the government stop them? That’s the premise for Mind Games.

On a closer note, many of my characters suffer from PTSD. That's normal for a group of fighting men (and one woman), but I approach it from an intimate perspective - my husband is retired Special Forces and suffers badly from PTSD so I work that into my characters in a very personal way. My goal is to help civilians understand what veterans go through, and that they will never be the same. That is a recurring theme in Battle Rhythm.

To learn more about Kathy, check out her blog here.

Dixon says: Before I started daily blog entries on January 11, 2011 (1-11-11!!), I had a handful of followers & not much of a plan. I thought it would be interesting to share the knowledge of some of the fine writers – both seasoned pros & newbies – that I’ve met online, so over 75% of posts have been guest comments from other authors, editors, reviewers and readers. Now that my first e-book, The Assassins Club, has been published, I plan more posts about what I learned during its creation. Also, I’ve found that “excerpt exchanges” with other authors are a kick. However, guest post will still be in the majority. I think we have a lot to learn from one another.

Happy New Years!

Tip O'Day #252 - The Likeable Hero

2011-12-30T12:09:00.000-07:00

Guest blogger Bob Stewart on “every novel ever written.”

It was the first day of a college creative writing class. The professor wrote the following sentence on the blackboard: “A likeable character battles against great odds to achieve a worthwhile goal.”

He turned to face the class. “That is the one sentence description of every novel ever written.”

Over the years I’ve measured many of literature’s great stories against this one-sentence description, even novels and motion pictures built on characters with major flaws, but who possess an indomitable spirit. Great stories pretty much hold up to this writing truth and I try to infuse my own writing with that element. No character has a more indomitable spirit than the literary classic, The Count of Monte Cristo, a tale of a hapless son of the sea who spent years in a dungeon planning his revenge after he was betrayed by his best friend over a woman.

I’m sure you have your favorites. I can’t resist the impulse to challenge you to read my favorite book, The Watchers by Dean Koontz. It is a love story on many levels – man for woman, woman for man, animal for humanity – about a failed scientific experiment. Very flawed characters here – a man on the verge of suicide, a woman who is a virtual recluse – and a dog that’s one of the most likeable characters you’ll ever meet. The three join forces to achieve the worthwhile goal – love.

The character of the dog may be one of the prime influences in the creation of one of my novels, Alias Thomas A. Katt, written in first person from the cat’s POV. The cat switches bodies with his mistress’ boyfriend only to discover the boyfriend is a serial killer. I call it “feline noir.” The cat’s major flaw? A fear of becoming too human.

To learn more about Bob, check out www.writerbobstewart.com/

Dixon say: Bob contradicts my post yesterday, when I wrote that a book featuring an unsympathetic antihero can just as valid as the “likeable hero” paradigm. That’s okay – there are many opinions on what makes a good novel, and who’s to say what’s right or wrong? If you have a thought on this or another subject and would like to try a guest post, send your submission to me at montananovels@yahoo – Happy New Years to all!

Tip O'Day #251 - Sympathetic Protagonist Needed?

2011-12-29T16:45:00.000-07:00

Dixon challenges the notion that you need a sympathetic protagonist.

Experts often tell the writer that a protagonist must be likeable – somebody the reader can empathize and sympathize with. Well, that’s nonsense.

Agatha Christie’s most famous creation, the Belgian detective Hercule Poirot, was creepy, snobbish, bombastic and self-centered, taking delight in tormenting his assistant. Even Christie called him “insufferable.” In John Grisham’s novel The Brotherhood, which involves a group of blackmailers operating from within prison walls, there’s not a sympathetic character in the book. The people being blackmailed are even scummier than the convicts. For another example, think about The Godfather. For a time, Michael Corleone seems admirable, since he resists entering the family crime business; then he kills a crooked cop to avenge the shooting of his father, so that’s understandable, right? Eventually, he turns out just as corrupt as his father, even killing family members. Lovable characters in this novel? None I can recall.

My recently-published novel The Assassins Club concerns two serial killers. One is a complete wacko, a disorganized schitzo controlled by the voices in his head. The other is Tyler Goode, a young man in his mid-20s who accidentally becomes a killer when he’s cornered by the town bully, and then kills again when he’s stalked by the bully’s younger brother. He feels like he’s performing a community service, “taking out the trash” and rebalancing the scales between good and evil.

When Ty continues to kill – it’s become a habit he can’t shake – why should the reader continue to turn pages.? He’s a murderer who deserves whatever justice will eventually befall him. Except I want to explore his psyche further, and I’d like to have the reader come along for the ride. So I tried a couple strategies. First, I gave him a dead family – two doting parents, and a wonderful brother and sister – who are wiped out in a hit-and-run accident. Ty feels the world is out of kilter because of these good souls being removed while evil seems to flourish wherever he looks. Second, I portrayed him as shy and insecure, and then I gave him a sweet, trusting girl as his romantic interest. He feels guilty about continually hiding his secret life from her. He feels protective of her, not wanting his hobby to endanger her. He feels fulfilled for the first time in his life.

Hopefully my strategies make this antihero human enough that a reader will tag along for curiosity, to see what happens to the young man with an unusual pastime and a loving girlfriend he must hide it from. My critique group thinks it works. Maybe you will as well.

Tip O'Day #250 - "Precise & Effortless"

2011-12-28T21:20:00.000-07:00

Guest blogger Curtis Oddo on choreographed writing – sort of.

The best books I have read, such as The Three Musketeers, have story lines that read like a well-choreographed dance. Precise, effortless, synchronized movements with no wasted energy, very creative, and a killer finale that makes people cheer for more. I actually think about that – dance choreography – when I write. It takes a lot of effort to work out all the details in a plot intensive story, but it is worth it.

I tried to do that for my first book, The Crimson Battle Axe, and will try very hard to do the same with the second book, based upon the same characters.

Tip O'Day #249 - Boost Your Chances

2011-12-27T13:08:00.000-07:00

Guest blogger Marlene Samuels on how she improved her chances of getting published.

I created a very precise "elevator summary" about my book. Imagine you enter an elevator at the same time as an agent or editor. You have to be able to describe your book and engage that person in 2-3 sentences, before those elevator doors open up again!

My other efforts include taking classes at more professional writing conferences, carrying my business cards, collecting cards from anyone who may possibly to put me in contact with someone, and reading advice columns by agents. My other big effort - one that really requires self discipline that I still struggle with - is writing something every day and then going back a week later and reading what I wrote. That process has really improved my self-editing skills.

To learn more about Marlene, check out her blog.

By the way, it took awhile for the text and cover to marry up, but Dixon’s first e-book THE ASSASSINS CLUB is now up on Kindle for $2.99 - amazon reviews would be welcome.

Novel Excerpt Exchange #2 – Michael Haskins

2011-12-26T10:33:00.000-07:00

I was invited to participate in an “excerpt exchange” by some nice folks at FB group Suspense/Thriller Writers. This is the 2nd of these. I’d invite followers of this blog to give me some feedback – love these exchanges, hate ‘em, couldn’t care less – what? Following is a 1,000-word selection from STAIRWAY TO THE BOTTOM by Michael Haskins – Chapter One:

If I hadn’t gone to watch the comedy showcase at the Key West Fringe Theater, I wouldn’t have silenced my cell phone. If I hadn’t silenced my cell, I would have answered Dick Walsh’s first call at 1:10 A.M., and then things might not have gone so badly. If is a damn big word for only having two letters.

I unplugged the cell from its charger in the morning and the lighted screen reminded me it was on silent mode and that I had five messages. Each of Dick’s messages was more frantic and pleading than the last. He needed help, but didn’t say for what. By the third message, he was cussing but still wanted me to call and that was at 3:15. He didn’t sound drunk, like most three in the morning callers do, he sounded scared. The fifth and final message came at 5:36. He had calmed down, asked me to come by his house as soon as possible and gave me the address. His composed voice assured me I would understand the problem after I arrived and he would be in touch later.

“Mick, I need you to believe me, it isn’t what it looks like. Please help me,” his message ended with a quiet plea.

I dressed quickly in last night’s clothing and swallowed cold water from a bottle out of the cooler. Before I got into my Jeep and drove to Dick’s house on Von Phister Street, I called his cell but it went to voice mail and I left a message. We were playing phone tag.

Von Phister is a narrow, tree-lined street in a quiet neighborhood of old and new houses. Dick’s was an old two-story house with a large gumbo-limbo tree in front and two more in back. He actually had a decent-size backyard, something that is at a premium in Key West.

The house was dark. It was almost six-thirty, about an hour since his last call. The sky was a light gray with a reddish-purple sunrise pushing the dawn westward. Only a large yellow tomcat crossed my path on the empty street. I parked in front and noticed Dick’s scooter was gone. I went up the steps to the wraparound porch, rang the bell, and then knocked. Nothing. I looked into the living room window. Nothing. I knocked again and when no one answered, I tried the door. It was unlocked so I went in.

The stench that greeted me in the hallway was familiar. The smell of death was strong and that told me somewhere in the house, death was very recent. Death, if left alone long enough cloaks all other odors, especially in the tropics – violent death even more so.

I called Dick’s name but no one answered. I walked into the living room and it looked lived in – a big screen TV, stereo with CDs stacked next to it, a sectional sofa set. A hallway led to a kitchen, small dining room, and bathroom. The stairway on the right went upstairs to the bedrooms.

Dick used the dining room as his office – medium-sized desk that was too big for the room, a computer, a printer, and a two-drawer file. I walked through into the kitchen. There was a table for two off to the side, dirty dishes in the sink and a woman’s body on the floor.

She lay face down and a large part of her head was gone. Pieces of shattered skull, along with parts of her brain and blood, tarnished the otherwise clean kitchen wall. Blood and human waste soaked the tile floor and stained her clothing. The stench of death filled the kitchen. I didn’t bother looking for a pulse.

An automatic with a silencer attached lay on the floor, her arm stretched out toward it as if reaching for the gun that had a small stream of brownish blood curled up next to it.

I ran upstairs to check the two bedrooms, calling Dick’s name. Both rooms were neat and the beds made. Nothing broken or seemingly out of place. Dick’s closet looked full with only a couple of empty hangers in the mix. The guestroom closet was empty.

Dick shot this woman, I thought as I looked down at her body. Whose gun was it on the floor? I didn’t touch anything, though I wanted to. My curiosity was getting the best of me.

I’m Liam Murphy, a semi-retired journalist and fulltime sail bum, some say. Key West has been my home for almost eighteen years. Before that, I lived in Southern California and reported on Central American civil wars and when they ended I covered the drug wars for a weekly news magazine so a dead body wasn’t something that frightened me it intrigued me. In Key West, I’ve made friends with all kinds of characters, including the chief of police, Richard Dowley. We have a two-sided relationship. One side is Richard the cop, the other is Richard the friend. He considers me a friend but always thinks of me as a journalist. He says I only have one side. I called him on my cell, sure of catching him at home, and knew I’d be talking to his cop side.I told him where I was and what I’d found.

“What are you doing at that nut’s house?” I could hear him banging around in the kitchen.

When I explained about the messages and Dick’s plea, he sighed loudly enough for me to hear on the phone. “Don’t touch anything and I’ll call it in,” he said. “Best thing is go outside and wait for the first unit, and I’ll make it there too.”

“Okay, Richard, but tell the ambulance it doesn’t have to hurry,” I said and he hung up without replying.

Outside, I sat and waited, thinking of Dick’s last message telling me it wasn’t what it looked like. It looked like murder.

My own first novel, THE ASSASSINS CLUB, has been uploaded to both Kindle and Nook, and should be available for purchase later today. (The cover art on Kindle doesn't show up yet - be sure to wait, so you don't miss the awesome cover.) Priced at $2.99 which is a little more than 3 cents per thousand words – my accountant says I’m crazy! - Dixon

Merry Christmas, Writers & Readers

2011-12-25T11:39:00.000-07:00

Merry Christmas, one and all! The lyrics below are by my friend Kathy Dunnehoff, one of the driving forces behind the Authors of the Flathead, and the author of THE DO-OVER and more recently PLAN ON IT, which was released just a few days ago.

Sing this to “White Christmas.”

Write Christmas

I'm dreaming of a write Christmas,
the one I hope's right down the road.
Where the scenes I hammer and readers clamor
to rush my Kindle book download.

I'm dreaming of a write Christmas
with every novel that I plot.
May the book be funny and hot,
and may all the comma errs be caught.

I'm dreaming of a write Christmas.
I've worked the keyboard all year round,
where my neck would seize up, my fingers freeze up,
my head would spin around and pound.

I'm dreaming of a write Christmas
I made my list in case he might…
May St. Nick bring a manuscript tonight,
'cause I've heard those elves can really write.

Dixon’s first novel, THE ASSASSINS CLUB, has been uploaded to both Kindle and Nook, and will be available for purchase as soon as a human being sets down the eggnog long enough to push the appropriate button. Wish me luck!

Tip O'Day #248 - "Don't Give Up"

2011-12-24T12:39:00.000-07:00

Guest blogger Kathy Bertone on traditional publishing.

I am going to swim against today’s tide and tell you yet-to-be-published authors, not to give up on traditional publishers. I have heard too many writers say that they can’t, no one hears them, it’s too hard, the odds are stacked against them, etc. That is not necessarily the case. Don’t be discouraged - be bold.

I wrote a one-page query for my book, The Art of the Visit which I emailed to those literary agents that I researched, knew would be interested in non-fiction, and would accept an electronic query. Of course I got rejections, but I did not give up. Finally, in my inbox, there were the words I longed to hear, “Hi Kathy, yes, I have an interest in your idea. Would love to see your manuscript…”

Don’t get me wrong – self-publishing can be a good thing for those who know how to do it. But if you have a good idea and can write, don’t give up, don’t have fear, and don’t be discouraged. You never know what might happen until you go for it. But do your research first. There are ‘rules’ that you must adhere to. And it may be worth your time and effort.

For more info about Kathy, check out her website: www.theartofthevisit.com

Thanks for all the guest bloggers, both published and unpublished, who have shared their knowledge and opinions this year. Dixon's first published novel, The Assassins Club, will be available as e-book on both Amazon Kindle and B&N Nook later today, or possibly Christmas Day.

Have a wonderful Christmas Eve.

Tip O'Day #247 - Get Pubbed the Inca Way

2011-12-23T10:54:00.000-07:00

Guest blogger Barbara Chepaitis on a sure-fire way to get published.

Getting published is easy. All you have to do is propitiate the right gods. With a blood offering. Preferably someone else's.

Dixon says: "Disclaimer – don’t try this at home!"

Learn more about Barbara at http://www.wildreads.com/

Novel Excerpt Exchange - Karen Vaughan

2011-12-22T11:49:00.000-07:00

Some of the folks at the FB Suspense/Thriller Writers group are doing an excerpt exchange, and I was invited to participate. An excerpt from my novel, The Assassins Club (which will be released in JUST FOUR DAYS!!!) will appear in Karen Vaughan's blog. Below is about 1,100 words from Dead Comic Standing by Karen Vaughan.

An up-and-coming comic was just exiting The Laff Attak. The comedian usually left through the alley after his sets, usually two per night, 30 minutes per set. Like other wannabes, he worked two clubs per week whilst working part time at an upscale Coffee Emporium. This guy didn’t want to spend the rest of his career as a part-time Barista /Comic. Oh no, this dude had plans, he was going to be the Robin Williams for the next generation. Well, skip the 'Na-noo-Na-noo' bullshit that Robin had to tout, in his early years.

In the meantime, bills had to be paid and the comic had a wife to support as well. Debbie worked as an insurance adjuster for a huge HMO management company. She technically supported him and his “hobby”. At least it was a marginally paying hobby. The young man walked around the corner down another alley, a supposed short cut on his way home. He feared nothing, although he would never have let Deb do this, day or night. Her argument was why should he? Did he think he was “Iron man” or something? The young dude lit up another smoke, a filthy habit and Deb hated it. Another reason she thought he might die young. She just didn’t get the part about a good smoke, after coming off stage. Comics had to be the worst chronic smokers. He had to do it here because once he stepped into the house, no more ciggies. He might as well smoke now ‘cause Deb wouldn’t let him smoke after sex. Smoking brought him back from the adrenaline high of being ‘on’. No matter what shit hit you throughout your day, you hit the stage running with a smile, ready to show the crowd the time of their miserable lives. He stood in the shadows taking a few pulls on the Camel, dropped it and ground it into the asphalt with the other discarded cigarette butts. Debbie, as much as he loved her, had her phobias. She was convinced that some guy would jump out of the shadows and knife him to death, when, in reality, the worst killers came wrapped in cellophane and cardboard.

The next step he took into the alley was his last. A hand holding a butcher knife came out of nowhere. If this weren’t the end for real, he would have found a place in his act for the scenario. He felt the knife blade plunge into his stomach, and he went down on his knees, and then fell onto his back.

“Fuck man, if you want my wallet, just ask.” Dave was gasping for air.

“It’s not about the money, asshole. I just didn’t know how else to tell you……”

“What?” Dave croaked weakly.

The stranger grabbed the hilt of the knife, and yanked it out of his victims gut.

He looked straight at him and said, “YOU JUST AIN’T FUNNY!”

Then the killer slit the young man's throat.

* * *

The room was packed. People were lined up at the bar three deep, and all the tables were full. Jeffrey Beals, the owner and operator of Comic F/X was looking forward to a good night. His headliner, Phil Vetters was a real crowd pleaser for sure. He was more concerned about Shelley, the new girl starting tonight. She auditioned well, and Jeff had no doubt that she had talent. However, Shelley clearly admitted that her club experience was limited and most of her experience had been in an auditorium setting, doing comedy for educational purposes. This worried Jeff. Shelley was a small girl, and guys tended to eat people like that up, especially after a few stiff drinks. Great prey for hecklers and perverts.

Jeff tried to keep society’s baser elements out of the club. However, some just seemed to slip through the cracks. They walk in seeming quite civilized but once a female comic hit the stage, all vestiges of humanity escaped through their assholes.

Comic F/X was full of yuppies out for a few laughs. The club was a brightly lit establishment. There was no smoking allowed and there was a three drink minimum rule. The basic premise was to serve up good drinks and provide quality entertainment. Jeff wanted people to come back time after time, to see the rising stars of tomorrow. He hoped Shell was one of them. Jeff had heard she came from a tough neighbourhood, a white girl surrounded by Hispanics and African-Americans. It was everyone for themselves and one had to develop a thick skin and a strong backbone.

Shell was doing her initial sound check on stage. “Hear the one about…..”

“Never mind the jokes sweetie, just show us yer titties.”

“Hey guy what’s your name?”

“Who wants to know?” Shelley shielded her eyes from the spotlight to see the person who had addressed her and spotted a large man sitting at a center table. Oh god no, why couldn’t hecklers be gorgeous? Why were they always butt friggin’ ugly as well as obnoxious? So if she had to put up with this moron, she might as well have fun with him. Maybe the toad would get the message and back off.

“Well pal, I just don’t open my shirt for just anyone. I like to be on a first name basis with my voyeurs, if ya know what I mean?”

“If I tell ya will ya take it off?”

“I don’t know, by the looks of you, you seem to have a bigger rack than I do.”

“You Little Bitch!”

The guy was steaming as the audience watched her dismantle his ego one line at time.

“Whoa boy, you better put on your big boy pants to use language like that, you wanna take your potty mouth and go to the washroom?”

Jeff was watching the impromptu exchange, and decided that Shelley could handle herself. Gord-o was a dog, but Shelley was having an easy time having him neutered. If Gord-o had gotten out of hand, Jeff would have had him thrown out on his ass.

“Very funny girlie—God gave you a sense of humor –‘cause you just can’t please the boys. Gord-o can teach you what you need to know.”

“Well Gord-o, what you can teach me won’t take more than two minutes.”

“Au Contraire, sweetie, I could have you yelling Gord-Oh by morning.” Gord-O was giving back what she gave him.

“No doubt, loser, it would take you that long to get it up!”

The audience was enjoying the impromptu exchange between Shelley and Gord. There was a lot of laughing and clapping. Gord-o was starting to look the fool. Something he hated, especially at the hands of a chick. “You freakin’ cow! No one makes me look like an ass, and gets away with it!”

“Gordie, my dear, you don’t need my help to look like an ass. You’re doing a good enough job on your own.”

The purchase link at amazon.com for either paperback or e-book is http://www.amazon.com/Dead-Comic-Standing-ebook/dp/B005PIYMNI/ref=ntt_at_ep_edition_2_1?ie=UTF8&m=AZC9TZ4UC9CFC

Tip O'Day #246 - Don't You Love NaNo?

2011-12-21T15:12:00.000-07:00

Guest blogger Eileen Hamer on that dreaded first draft.

Some writers sneer at NaNoWriMo (National Novel Writing Month) but for me it's a way to get that God-awful first draft done. Without the NaNo time constraints, I just piddle around writing when the inspiration strikes, which isn't often enough. I've written drafts of four novels in my Chicago Stories series as NaNo novels. They were all pretty awful, but serve as the framework for longer and I hope better novels. Of course, I'm one of those perverts who actually enjoy revising and editing.

My first novel, Chicago Stories: West of Western, will go up on Kindle soon (just waiting for the cover). Wounded Ex-Marine and Darkpool agent Seraphy Pelligrini has come home to Chicago to start a new life as an architect. When she finds an abandoned drapery workshop in a marginal neighborhood to rehab into a studio and loft, she doesn't know she's on the border between two street gangs. Her windows are broken, death threats painted on her garage, a dead body left on her doorstep and things only get worse.

I started West of Western as a NaNo novel, deciding the last day of October to try it. With so little time, I had to choose a location I knew well, so I wrote about the neighborhood I'd lived in for ten years. I sat down that first day and just started writing. I never knew what the next day would bring. When the month was over, I had the basis of a story I'd never have found otherwise. That was four years ago and the draft has been completely rewritten and revised since then, but nothing was as hard as getting out that first draft!

Tip O'Day #245 - Dream Up the Truth

2011-12-20T11:58:00.000-07:00

Guest blogger John DeDakis responds to YOU SHOULD WRITE A BOOK.

Most writers are motivated to write because of things that have happened to them. And the first instinct is to write it as a non-fiction autobiography because the experiences are so vivid and personally profound. Often, well-meaning friends who've heard you recount portions of the story exclaim, "You should write a book!" But they don't realize just how hard that actually is.

One reason it's harder than most people think is that if you're writing non-fiction, your editor will need to know more of the facts and context of any given story than you - from your narrow and limited point of view - actually know. So, as you try to write FACTUALLY, you'll discover that you don't know nearly as many facts as you thought you did.

Of course you can set out to find those missing details, but, as a journalist, I can tell you that the process is time-consuming, expensive, and fraught with all kinds of difficulties. And perhaps the biggest difficulty is that if you're writing things that are unflattering about a person, you could get sued for defamation of character. Even though what you're writing is true, if the person's not a public figure, you could lose a lot of money defending yourself in court.

It ain't worth it.

Not only that, but publishers are less likely to want to make your story into a book because you're not well known, making it harder for them to sell the story of a nobody to the general public. Publishing is, after all, a business.

So.......? Here's what I suggest: Use those personal stories as a way to inspire your imagination. Change some of the details of the events and characters so that the real people won't recognize themselves, then build a story that still conveys the deeper "truth" you want to communicate. If you have a vivid imagination you'd be on firmer ground going in that direction. That's because you get to "dream up" the facts, something an editor of non-fiction won't let you get away with.

That's how I dreamed up my first novel "Fast Track." The book got its start because of two traumatic experiences in my life: a car/train collision I witnessed as a kid, and my sister's suicide. But, instead of recounting what happened in the style of a just-the-facts-ma'am journalist, I made up an entirely different story - a mystery/thriller - that still highlights themes and truths surrounding sudden death and suicide. I used my imagination to create a story that would resonate with people who don't know anything about me personally.

If you're able to camouflage the true events that happened to you and create a compelling story that still conveys a deeper "truth," you may be able to write not just one book, but ten, simply by using what happened to you as your creative muse.

John DeDakis is a senior copy writer on CNN's "The Situation Room with Wolf Blitzer." John is the author of two mystery-suspense novels ("Fast Track" and "Bluff"). He's currently at work on novel #3 - "Troubled Water." Visit his website at www.johndedakis.com

Tip O'Day #244 - Looking for Feedback

2011-12-19T11:55:00.000-07:00

Guest blogger M.K. Graff on what works for one writer.

I write mysteries and so tend to read them 90% of the time, with a heavy concentration on UK authors as my one series is set there. I've found that a good writers group with a handful of people who KNOW how to critique can be invaluable.

Tip O'Day #243 - Judge by the Cover

2011-12-18T11:39:00.000-07:00

Guest blogger Kaleb Zeringue on capturing a book’s mood in the book cover.

As an independent cover artist, I’m often asked about the process I use to choose colors to represent moods or themes in a book. It starts with learning a little about the book. I collaborate with the author to discover the overall theme or idea and then I go to the drawing board.

Color is a quintessential part of design in all design processes. Color governs the way we receive a piece. It’s amazing because as humans we subconsciously associate colors with moods. For example, we associate yellow with joy, intellect, and energy. So if I am presented with a book that has some or all of these undertones in its story, such as the cover I did for Renee Andrew’s Cake Icing, Butt Budder and Tea Lids, I will use colors with a lot of yellow in them to trigger a certain response from viewers before they even pick up the book.

I think it’s important for the mood of readers to match the book’s mood before they start reading so they can fully connect with the story and so the book can have that lasting effect every author desires. That is the cover’s purpose.

Learn more about Kaleb at http://www.wix.com/z4designs/z4designs

Book covers are crucial in buying decisions, it would seem, so more frequent posts on that subject are planned. Would love to hear from other designers.

Tip O'Day #242 - Scams

2011-12-17T11:08:00.000-07:00

Guest blogger Rose Blackthorn on being scammed.

I fell into that trap of submitting to an agent who referred me to a “book doctor” stating that after professional editing they would be pleased to represent my manuscript. The editor charged me an exorbitant amount, and after making the suggested changes I resubmitted to the agent, who now was no longer interested.

Dixon says: Thanks for sharing, Rose, and hopefully you've prevented other writers from falling for this scam. There are many honest and helpful literary agents, book editors, and book doctors - but how to ferret out the unethical ones? I'd suggest using the 'Preditors and Editors' website before signing either a contract or a check.

Tip O'Day #241 - Can You Handle 10,000 Hours?

2011-12-16T11:35:00.000-07:00

Guest blogger Tim Greaton reminds us that writers write.

Many famous authors are credited with having said, “Writer’s write…” and that is the truth of it. To sit down and begin a journey of words is the very heart of our craft. Talking about writing, thinking about writing, or even planning a writing project have little to do with the actual process of stringing words in a progression that is hoped to entertain or enlighten a reader. The late Jack Bickham used to say that the most important quality in any writer is the ability to sit down and refuse to get up until a certain number of words have been written. Ernest Hemmingway said, and I may be paraphrasing, “Write as well as you can and finish what you start.”

Clearly the message comes back to, “Writers write.” I recently saw a documentary suggesting that most successful athletes and musicians in our world today have achieved such great heights because they have practiced their chosen professions more than any of their peers, usually for a minimum of ten thousand hours. I believe that. It is also my belief that writers who strive to pass that same ten thousand-hour litmus test will ultimately find themselves among the finest writers of their generation. So I encourage anyone with a dream of making a dent in the literary world to…pull up a chair, grab your proverbial pen and simply begin.

Tip O'Day #240 - Feel the Music

2011-12-15T11:00:00.000-07:00

Guest blogger Bill Talcott is influenced by music.

On occasion I'll have someone ask me how I come up with my ideas for the fiction I write. Quite often I can only tell them I am influenced by the music I am listening to at the time. My book The Mission started out as an idea that developed while listening to the soundtrack for the movie, Blade Runner. I had finished my first attempt at a story and decided to hold off doing the editing on it to write a short tale. I originally called the story 'The Undead'. It was intended to be 20-30 pages of fan fiction, taking place within the world of an online game. The Blade Runner music kept bringing up feelings that practically wrote the story for me. Some 30 pages into it and not even close to an ending, I made the decision to kill off a character and suddenly my short story became more than it was intended to be.

Tracks 8, Memories of Green, and 10, Damask Rose of the Blade Runner soundtrack by Vangelis guided me through much of the writing process. There were other pieces by the group Audio Slave from their first CD that were a big influence. And then there was blues artist, RL Burnside and his Go To Jail. There were many others that made me feel something for the story as well. After finishing and making necessary changes in the story I eventually had The Mission, a short novel that I decided to publish as an e-book.

Music continues to play a big part in what I am currently writing and the ideas that I have for future stories. Who knows, something you are listening to right now may have influenced something you've recently read.

To learn more about Bill, check out http://billtalcottsblog.wordpress.com/

Tip O'Day #239 - Rejection

2011-12-14T22:17:00.000-07:00

Matt Hilton on Rejection. (This excerpt is from “Col Bury’s New Crime Fiction” blog of Feb 9, 2009. He interviewed Matt Hilton, author of the Joe Hunter thriller series, and the subject of rejection came up.)

Like all writers I’ve suffered the dreaded rejection slip on so many occasions I can’t remember. Between writing Aggro, and my deal for Dead Men’s Dust coming to fruition, everything I ever wrote – apart from a few articles for magazines - was rejected for one reason or another.

I came very close on a few occasions, and it was the advice that I was given that spurred me to keep on writing. Rejection can be depressing, but you have to look beyond the ‘thanks but no thanks’ message and pick up on any advice contained in the rejection letter. I took each rejection as a step along the road to publication, and after each I’d go back to my work and see what it was that wasn’t acceptable to the publisher and try to put it right next time round.

Expect rejection and you won’t be disappointed, so when the acceptance comes it is a great surprise. If you lay all your hopes in one place – or one step of the process – it can pull you down if you’re knocked back. But don’t give up, keep trying. If you’ve got the drive and the talent, someone will pick you up.

Tip O'Day #238 - The Write Spice

2011-12-13T10:54:00.000-07:00

Guest blogger Gayle George Gross on how to spice up your writing, and try something different with your story line.

Create a snappy interaction between characters, allowing their personalities to show by adding dialogue to the story. Watch the conversation dry up as the characters begin mulling over past transgressions. Preserve the mood with a flash of lust and passion. Find a natural setting for the characters to relax and draw on their inner strengths. Extract the hidden strengths from their strong character, overcoming the coarse words of a sour adversary. Don’t let them mince words when someone deserves to be put in their place. Provide an opportunity for them to ground themselves with friends and loved ones. Cut to the chase and let them know how you really feel about them before they’re roasted by a challenger. Mild or sweet, hot or sassy, love them with your whole heart and soul, even the nuts.

There’s a great newsletter that provides a new word a day for your vocabulary. http://wordsmith.org/awad/index.html adds to the spice collection on your shelf.

When you've maximized the right flavor and are ready for a taste-test visit http://www.10daybookclub.com/ We know there's a masterpiece waiting to be sampled. We look forward to serving you.

Tip O'Day #237 - More of How Readers Choose

2011-12-12T12:27:00.000-07:00

I asked some friends how they pick books to read or purchase.

Lynna Dee - I usually go for any mystery. I also have certain favorite authors. I will give new authors a chance. Dislikes: I hate books with too much information that has nothing to do with the story.

Marta Moran-Bishop - I will read just about anything, as long as it is well written or gives me insight into a time, place, era, or imaginary world. When picking a book to read, I look for content and the style of the writer. It is very important for me to be able to believe in the characters. If I can't then I lose interest.

Anthony Newman - Many times, one of my friends will tell me that they just read this great book. I'll get it on the Kindle and give it a go. If it's good, I will get more books by that author. It also is nice that I can get sample chapters to read and then purchase the entire novel. I haven't been disappointed yet.

Terry Parrish - Reading for me is an addiction. If I could afford it I would buy every book that appealed to me, in many genres. When choosing between two books, I’ll choose the one I want to read the most, and then get the other one the next time. I also won't read the first books until they’ve all been published.

Eleanor Anders - For personal reading, I depend on the back cover description. Does it hook me? Am I already invested in the story just from the back cover? It both of these answers are yes, I buy!

Nanci Nelson Rogers - In a book store, I am first attracted to a book by its cover, and then the title. A cleverly chosen title can often sell the book by itself. Then I read the synopsis, and decide if this is a book I want to read. Online, my approach is a little different. If the title is not intriguing, I am not going to click to that next page to see anything else. Then, the synopsis has to be written so I just have to know more.

Saying for Writers #108 - Woodberry

2011-12-11T16:08:00.001-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

"Defeat is not the worst of failures. Not to have tried is the true failure." - George Edward Woodberry

Tip O'Day #236 - Watch Those Bad Words!

2011-12-10T11:02:00.001-07:00

Guest blogger Deb Peters wonders why Self-Publishing is a bad word.

First, big-name publishing companies do not consider writers published unless they got in print through the traditional route. Secondly, some companies who help authors self-publish do not even read the books they print; traditional publishers know that. Because of these two facts, all self-publishing companies get a bad rep.

There are two firms that I know of that read every word in your manuscript, no matter how long it is. I also know that there are self-published authors (like myself) who hire editors to help make their manuscript into the best book possible.

Another thing that traditional publishing presses do not take into consideration is that many famous authors were first self-published. If anyone wants a list, go to this site: http://www.simonteakettle.com/famousauthors.htm

Tip O'Day #235 - Powerful Verbs

2011-12-09T10:43:00.001-07:00

Guest blogger Deborah Epperson on putting more power in your prose.

If you’ve been a writer longer than five minutes, you’ve heard the maxim, “Show, don’t tell.” To show actions, feelings, and relationships, we use verbs. Weak verbs are a writer’s kryptonite. Active verbs energize your writing. For example, “Sue wept when her cat died” is more powerful than “Sue was sad when her cat died.” The verb wept adds drama and emotion.

Action verbs also grab your reader’s attention. For example, “John staggered toward the door” is stronger, more precise, and paints a more vivid picture than “John walked unsteadily toward the door.”

While strong, action verbs add vitality and energy to your writing, there are times when passive verbs are useful, such as when you want to slow down the action, reduce the tension, or extend the narrative.

Finally, you should pick verbs that can stand alone and make your writing more concise. Ensure your readers receive a clear image of what you intend to communicate. By simply changing the verb, you can change the reader’s experience and expectations. Consider the difference between “The carriage dashed through the streets” and “The carriage rambled through the streets.”

To learn more about Deborah, the author of Breaking TWIG, check out https://ddepperson.wordpress.com

Tip O'Day #234 - Self-Pub Next Time?

2011-12-08T21:09:00.001-07:00

Guest blogger Marta Moran-Bishop on plans for her next book.

Having gone the route of traditional publishing with my last book Wee Three: A Mother's Love in Verse, and gave up so much control of what I would like to do, I am seriously considering self-publishing my newest book.

Tip O'Day #233 - Seize Every Chance

2011-12-07T10:31:00.001-07:00

Guest blogger Marlene Samuels on getting published through a fluke.

Until recently, my writing has been academic and this type of book, especially PhD dissertations, have an easier time finding publication, however usually very limited runs with an academic press. Self-publishing has become a more realistic option for writers who aren’t always able to secure an agent. The success of self-published books has been advanced by increased access to internet-based public relations. The up-side: buzz is easier to obtain and more accessible. The bad news: each day, that medium is becoming more competitive.

My first non-academic book, The Seamstress: A Memoir of Survival, was published first by a conventional press. That was a fluke and done without an agent, a perfect example of meeting someone, who knows someone, who knows someone at a publisher.So you can and should tell anyone who will listen that you've written a book – only if you really have finished it or are almost finished. You should follow up with anyone who tells you they "know someone at a publisher" or has a friend whose uncle works at a literary agency, etc. I almost let my opportunity drop since I didn’t want to 1) seem like a pest, 2) waste my time with possible frauds, and 3) risk having someone read and then hate my work.

To learn more about Marlene, check out her blog at www.marlenesamuels.blogspot.com

Tip O'Day #232 - "Get Lenin"

2011-12-06T10:25:00.001-07:00

Guest blogger Robert Craven on the travails of historical fiction.

I still pinch myself. It took Get Lenin five years to grow from an idea to the novel. It started as a dream, then became a journey. Along the way I grew. As with all journeys, it had rough parts as well as smooth parts. The final destination remains unknown.

The idea started when I read a book review about Lenin’s Embalmers, revealing that Lenin’s mausoleum was shipped out of Moscow to the Ural mountains during the German advance in 1941. The first thought that came into my head was “What would happen if...”

Get Lenin finished as a novella clocking in at a modest 26,000 words as a straight adventure, then I started to pitch it. The subject matter of a stranded German unit in Russia during WWII was always going to have limited appeal. As the rejections clogged up the in-box, my wife pointed out that the main female character (Eva Molenaar) was quite unsympathetic. I went back and developed Eva from an innocent caught in the wrong place at the wrong time to an assured heroine. During the course of the pitches, I posted to the peer-review site authonomy.com. From there I found Night Publishing.

Saying for Writers #107 - Safire

2011-12-04T14:14:00.001-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

"Do not put statements in the negative form. And don't start sentences with a conjunction. If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. Never use a long word when a diminutive one will do. Unqualified superlatives are the worst of all. If any word is improper at the end of a sentence, a linking verb is. Last, but not least, avoid cliches like the plague." - William Safire

Tip O'Day #231 - Robots in SciFi (Part II)

2011-12-02T10:15:00.001-07:00

Guest blogger Gary Starta continues on sentient machines.

The idea of robots is really not that extreme or fantastical. For the most part, they are already here. Will it be all right to use them for servitude? Most every science fiction story of the last half century portrays them in that manner. Think of Bicentennial Man. But in that movie, the robot evolves so it actually becomes human. Still, the robot is portrayed as a servant, although its owner treats it with respect.

Will humanity treat robots with respect once they grow in number? People who perceive them as mere machines such as a computer will probably dismiss the idea of expending emotion on objects. But others may feel compelled to interact with androids as if they were human, even if they don’t possess self awareness or are unable to feel genuine emotion.

In my novel Gods of the Machines, two androids find love in a future where they have yet to attain the full rights of humans, yet are accepted by some as sexual partners of humans. As androids inch closer to a new status within society, it becomes absurd that these beings aren’t considered humans. They are just another kind of human; instead of biological, they are artificial. But both can love.

Find more about Gods of the Machines (and maybe win a book) at www.garystarta.net

Tip O'Day 230 - Robots in SciFi (Part I)

2011-12-01T23:30:00.001-07:00

Guest blogger Gary Starta on sentient machines.

My inspiration to write the novel, Gods of the Machines, basically comes down to one word of inspiration: sentient. Merriam-Webster Dictionary defines sentient as “feeling or sensation as distinguished from perception or thought.” The ability to feel defines our consciousness as humans. It is what distinguishes us from other devices capable of thought or calculation, i.e. computers. And although that line of separation, the inability of your laptop to feel emotion, is pretty thick at the moment, there may come a time when that line will either be blurred or crossed. Maybe you are skeptical that robots or perhaps, androids – beings that resemble humans – will ever exist in the way we see them in movies such as I, Robot. But there are signs that technology is advancing and that robotics is becoming more and more integrated into our everyday life.

The latest cutting-edge cell phone operating system is called Android (Droid for short). Although a phone is a long way from a walking, talking android, it seems to show the very idea of such technology is seeping into the consumer consciousness. In Japan, actual android/robots have been created! They have skin made of silicon, and sensors allow them to react. They appear to blink and even breathe! But what they don’t possess is sentience. And because they don’t, I believe these creations will be ripe for exploitation. Robots are already in use in battlefields. Androids such as the life-like creations in Japan may be used for servitude as well, perhaps as nursing aides.

Gary's comments will continue on Dec 2, including the premise of Gods of the Machines.

Tip O'Day #229 - Write in Scenes

2011-11-30T22:15:00.001-07:00

Guest blogger Colleen Cross on borrowing a screenwriting technique.

Like many writers, I start new books with a general idea, a rough chapter outline, and a vague idea of the ending. At the start it's fresh and exciting, and I'm sure I'll knock out a first draft in no time at all. Then, just as we reach double-digit chapters, disaster strikes. My characters hijack the story. Or, even worse, they go on strike, and steer me off the highway and onto that no-exit road called Writer's Block Hell.

How can they do this to me?

Thankfully, I read some screenwriting books. Syd Field's Four Screenplays and Blake Snyder's Save the Cat! offer great advice for screenwriters, and novelists can benefit too.

One idea made all the difference; I started to write in scenes. Modern stories are based on a three act story structure: the beginning, the middle and the end. I determine the three most important scenes for each act, and then write them. Now I've got nine scenes which form the main plot and provide the theme. I don't worry about what happens before or after these scenes, or exactly what order they appear in. I can fill those in later with smaller connecting scenes. I save each scene in a separate Word file, and then I knit them into my novel's first draft.

My characters haven't mutinied on me since I started using this method. They seem happier, and while I still give them free rein, they don't take over my story, or stop it. Writing in scenes is a little messier, but it frees me to be more creative.

Visit Colleen's website and blog at http://colleencross.com and read more about Exit Strategy, Book 1 in the Katerina Carter suspense series.

Dixon says: I had coffee with writing friend (and Amazon Top 50 reviewer) Roxanne McHenry the other day. She is excited about the first draft of her dark YA novel, which consists of a series of unconnected scenes. When she gets further along, she'll worry about whether the scenes are in the right order, and how to hook them together. An interesting approach - I'm not sure I'd have the courage to try it.

Tip O'Day #228 - Keep 70%...For What?

2011-11-29T13:52:00.001-07:00

Guest blogger Sue Owen on self-publishing versus traditional publishing.

It used to be that a publisher did everything from cover to back page including all advertising and setting up personal appearances, etc. Now, they are too busy reading and publishing books and don’t have time for all that, so it is up to authors to promote their own materials. For that you are paying up to 70% commission. So take that 70% and publish it yourself for a 3% commission. Why waste time, energy and funds to do something yourself, that you end up doing yourself anyway. To learn more about Sue, check out her blog at bySueOwen.blogspot.com

I receive and share comments on both sides of the “e-book vs tree-book” debate, and "self-pub vs big pub." Anne Patrick had strong arguments in favor of traditional publishing last week. In today’s post, Sue Owen doesn’t buy that viewpoint.

What’s your opinion?

Tip O'Day #227 - Your To-Do List

2011-11-28T14:00:00.001-07:00

Guest blogger Cynthia J. Faryon on some nonwriting things that can help you get published.

Become known in your community by volunteering and include this in your bio. Read back copies of magazines or read books published by publishing companies so you know what they are interested in. Send your manuscript out to sample readers with a questionnaire and include the comments in your submission.

Tip O'Day #226 - Yet More "Why I Write"

2011-11-27T12:23:00.001-07:00

Five more responses to “What Makes You Write?” Let’s do this again sometime.

Clair Saint - Word smithing, articulation that is really important to describe the feeling so the other can completely and totally visualize and/or feel what the writer is describing to touch and stimulate.

Marlene Samuels - I select books for a range of very specific reasons: they're in my field; they're by best-selling authors; they're classics that I didn’t quite understand when I was required to read them; or they're a huge intellectual challenge to me.

Matthew Schott - I have to tell their stories or they will be lost forever. Everyone is a main character; it’s just those who get thrown into unusual situations whose stories becomes books.

Jane Vogley - It's my passion. I enjoy creating stories that entertain people, move them, and make them think. And I write because I'm not so good at other artistic mediums, can't draw or paint to save my life...lol

Claudette Walker - A flame that burns hotter than Dante's Inferno. The unending passion to explore this world as it is during my time and leave an unforgettable trail, she lived...

Tip O'Day 225 - Why You Write 2.0

2011-11-26T09:52:00.001-07:00

Five more friends respond to the question, "Why Do You Write?"

Heather Long - Because if I don't write I daydream all day and don't get paid for it.

Ellie Mack - I think everyone would benefit from more laughter, and a lighthearted look at life. Otherwise it's just too depressing. Since I don't want to do stand-up comedy, I write. The wit and wisdom combined gives a certain 'slant' that not everyone sees. That's what I feel that I offer to others - a wry view that brings a few laughs, a half full in a world of half empties.

Sue Owen - I have no idea what makes a person write. It’s not an easy life. It’s lonely and scary. You pour your heart into a work that takes you forever to finish. But really it’s never finished; you just reach a point where you just can’t look at it anymore so you publish it. Then people read it and tell you how this or that could have been done differently, all with good intentions. Why would anyone do that to themselves?

Deb Peters - I do not feel like anything or anyone makes me write. I have a very vivid imagination and years of life experiences. If I have inspired one person to be happy with their lives or do something to change it to make them happy, then I have accomplished my goal.

Marsheila Rockwell - No one else is writing the stories I want to read.

My thriller Assassin's Club: Preservation will be out on Kindle at Christmas - look for it!

Tip O'Day #224 - What Makes You Write?

2011-11-25T11:37:00.001-07:00

I recently asked my FB friends, “What makes you write?” Here’s five answers, with more to come:

Linda Lavonne Barton - The voices screaming in my head wanting to tell their stories. LOL

Sarah Bewley - I write plays because I literally have voices in my head, and I figure I'll put them to use. (grin)

Michael Boehm - The characters. They're there in my head, doing things and having conversations. They won't leave me alone unless I write it all down.

Shirl Henke - I began writing because I had stories in my head and had to put them to paper. Once I became published, I had deadlines on my mind. Now that I'm e-pubbing my backlist before writing any more new books, I feel the very strong urge to stop and begin with the new stories once again.

John Hohn - It gives my life purpose.

I put these in alphabetical order by last name. Interesting how the same theme runs through the first four.

I'll post more replies from my friends over the next week. If you have a thought you're burning to share, email me at montananovels@yahoo.com or add a comment below.

After Christmas, look for Assassin's Club: Preservation on Kindle, with wider distribution to follow.

Tip O'Day #223 - Thanks for Evolution

2011-11-24T11:51:00.001-07:00

Guest blogger Anne Patrick on getting published.

I think with the evolution of e-books, it's becoming easier to get published, but you still need to carefully research the publishers you submit to. Indie authors are having some success. Personally, I prefer the traditional route. I'm currently published with small independent publishers and have been very happy with them. I have good editors, awesome cover artists, and the royalties aren't too shabby. If a person does go the indie route, investing in a good professional editor is a must.

The most important thing...don't give up. Believe in yourself, stick with it, and it'll happen.

To learn more about Anne Patrick, check out http://www.annepatrick.weebly.com/

Tip O'Day #222 - Tree Book vs E-book

2011-11-23T13:34:00.001-07:00

Guest blogger Gary Williams on the appeal of e-publishing (Part 2 of 3).

I’ve heard some people say that they will never read an e-book. They love the feel and smell of a tangible book. I must agree, there is something comforting, almost romantic, about turning the pages of a bound book, the scent of the paper. But the fact is, we are a society of convenience and immediacy. As people get comfortable with the technology, which is about as user friendly as you can get, more and more will convert.

Talk to anyone who is a regular e-device user and you’ll find that they’re hooked. Both my parents are in their 80s. Each owns a Kindle. My father is on pace to read more novels this year than I’ve read in my entire life, and he hasn’t set foot in a brick-and-mortar book store for years.

Gary Williams co-writes with Vicky Knerly. Their debut thriller, Death in the Beginning, was released electronically on November 21st, two days ago.

Tip O'Day #221 - E-books a perfect fit?

2011-11-22T07:01:00.001-07:00

Guest blogger Gary Williams on the appeal of e-publishing (Part 2 of 3).

Why are e-books the perfect fit for both writers and readers?

- The purchase price of e-books is considerably lower than either paperback or hardback books in most cases. Many are sold for $5.00 or lower. First-time authors often sell their books for $.99 or even give them away. Why? To gain an audience. It’s all about marketing. Get a reader base, and money will be made on the volumes and/or future releases.

- Due to the minimal overhead for e-book publishers, e-publishing your manuscript often requires very little investment by the author. In many cases, no investment is needed since the publisher shares in the profits. Once the electronic version is uploaded by publishers, they incur virtually no overhead costs. It’s a win/win for both author and publisher.

- The convenience by which readers can purchase novels via e-reader devices such as Kindle and Nook lends itself to impulse buying. A reader can shop, buy a novel, and be reading it within a matter of minutes. For some devices and applications, readers can download a book anywhere there’s a wireless connection. Combine the convenience with the low price, and it’s not hard to imagine that readers will take chances on unknown authors. So what if they spend $1.99 on a book that turns out not to be to their liking? They’ll just download another one. And what of readers who have just finished a book and want to find others by the same author? Minutes later, they could be enjoying the next story.

Gary Williams co-writes with Vicky Knerly. Their debut thriller, Death in the Beginning, was released electronically yesterday, November 21st.

Tip O'Day #220 - e-pub trends

2011-11-21T06:43:00.001-07:00

Guest blogger Gary Williams on the appeal of e-publishing (Part 1 of 3).

The publishing industry took a turn a few years ago with the introduction of e-publishing. From a fledgling start where it faced considerable opposition, e-books are becoming prevalent at a time when the economy is in most need of inexpensive entertainment.

Five years ago Nooks and Kindles were luxuries for the serious, well-to-do readers. Few people made the hefty investment, which carried a price tag in excess of $400. But like the original pocket calculators that came out in the late 1960’s and costs over $400 and now can be bought for $10, the price of electronic readers has begun to plummet. Kindle is now advertising a version for under $100. Cell phone reader apps are also very inexpensive, and in some cases free.

Do people really read e-books? According to the American Association of Publishers, purchases of e-books have soared over the last year. E-books sales in August 2010 compared to August 2011 were up 116%, while adult paperback sales were down almost 6% and adult hardback down 11% for that same month. As a matter of fact, every category of books suffered a decline in this period with the exception of e-books and audiobooks. And while e-books still only represent 17.6% of total book sales in August 2011, that’s a tremendous leap from the 7.8% the same month a year before. At this rate of growth, they will soon overtake the sale of all other book mediums combined.

Gary Williams co-writes with Vicky Knerly. Their debut thriller, Death in the Beginning, was released electronically on November 21st. Wait a minute – that’s today! Best wishes, you two.

Saying for Writers #106 - Gracián

2011-11-20T14:07:00.001-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

“A synonym is a word you use when you can't spell the other one.” - Baltasar Gracián

Tip O'Day #219 - "Picture It"

2011-11-19T20:32:00.001-07:00

Guest blogger John Klawitter on visual imagery in e-books.

We’re all aware our audience increasingly devours everything from novels to e-zines on small, hand-held screens. And now it seems e-books are moving beyond words and in the direction of visual imagery. With formats like Kindle, Smashwords and CreateSpace we can add images in the text of our work.

Fifteen years ago, when I wrote Headslap, a sports bio about the life and times of Deacon Jones, the publisher grudgingly included a group of pictures in one section in the center of the book. That used to be the way they did it, an awkward section not all that convenient to refer to. Today you can sprinkle photos and drawings throughout your book at little or no extra cost. But that’s just one current step in the trend.

Today’s writers are linking to video imagery within the body of the text. I myself am working on a how-to book meant to inspire writers who want to venture into storytelling videos, and I’m imbedding links to YouTube and Vimeo to give readers the opportunity to experience short video examples of exactly what I’m talking about.

Tip O'Day #218 - Critique This!

2011-11-18T10:58:00.001-07:00

Your genial blog host Dixon Rice on critique groups.

My local critique group is terrific. They catch spelling errors and grammar mistakes. They notice continuity problems, POV violations, tense problems, and subject-verb disagreement. Most important, they ask annoying questions.

In my WIP, two deputies in a rural Montana sheriff’s department have a hobby. They kill criminals when they can’t get a conviction in court. So I have them researching cold cases, staking out suspects, interviewing witnesses, and other extracurricular activities. You know, acting like detectives, even though they are just patrol officers.

Two nights ago at our biweekly critique session, Jake asked me, “When do these guys work?” Well, darn. He had spotted a problem that many crime fiction readers would immediately notice. My deputies were not getting calls about domestic assaults or car accidents. They were not giving speeding tickets. They were not transporting felons, reporting their locations and odometer readings to the dispatcher, filling out forms or testifying in court.

I can fix this oversight, but I never would have realized it existed if not for Jake and his annoying question. That, my friends, is why Jake and I started our critique group, and why I keep coming back for regularly-scheduled ego adjustments.

This Christmas, look for Dixon’s first published novel, THE ASSASSIN’S CLUB: PRESERVATION.

Tip O'Day #217 - Judge a Book by its Cover

2011-11-17T07:57:00.001-07:00

Guest blogger Sue Owen on book covers.

Time and again, authors overlook the importance of the book cover. First impressions are very important. Does it make sense to spend years writing and revising a book, only to slap any old cover on it and call it good? What a huge waste of time. The creative decisions about your cover are just as important as the creative decisions about what to put between the covers.

A good cover has to be attention-getting as well as reflecting the story and the personality of the user. To have a drawn cover for a children’s book is good because the readers you are trying to attract will be interested in that. But to put that same type of cover on a murder mystery….you won’t sell it no matter how good the story is.

To learn more about Sue, check out her blog at bySueOwen.blogspot.com

Tip O'Day #216 - How to Begin

2011-11-16T07:23:00.001-07:00

Guest blogger Gary Ponzo on starting your story.

There was a time when people would ride their horse for days to travel a hundred miles. A trip to China and back could take months. Back then writers could take 3-4 chapters to develop their characters, revealing their idiosyncrasies, their flaws, their motives. Those days are long gone. Our lifestyle has changed so much, waiting for a light to turn green could easily mutate into road rage. While Twitter, Facebook and texting have caused our attention spans to shorten, our children's brains are actually being developed to handle the fast pace.

So readers no longer have the patience for long introductions. Certain literary fiction might have some immunity to the modern, frantic pace, but if you're writing any type of commercial fiction, you'd better upload the tension.

How do you do it? With great care - not tricks or gimmicks like the protagonist waking from a nightmare as he's about to be slaughtered. What will work, however, is anything with tension. And I don't mean it has to be a freight train bearing down on our hero. It could be as simple as a missed phone call the protagonist desperately wanted to hear. Use intrigue to lead us to the next line, then make sure the next line leads us into more questions. Resist the temptation to answer everything too fast. That's what keeps the reader reading.

Lee Child's first Jack Reacher novel, KILLING FLOOR, began with "I was arrested in Eno's Diner." Of course it begs the question, why was he arrested? Why does he seem so casual about it? My favorite opening line came from an old Jules Shear song, "I've never seen the weapon, but I know the prints are mine." Isn't that a great opening? I've tried for years to use that line, but never found the story to go with it. Maybe I never will. But one thing is for sure, I'll probably never open with something that doesn't cause the reader to ask, "Why is she in that predicament?"

Hopefully, neither will you.

BTW, here’s the opening line from Gary’s second novel, A TOUCH OF REVENGE: “The bullet left the sniper’s rifle at 3,000 feet per second.”

Tip O'Day #215 - Feeling Passion?

2011-11-15T06:47:00.001-07:00

Guest blogger Laura Schultz is passionate...about writing and reviewing.

I have always been passionate about writing poetry as I was able to address the human condition as well as muddle through my own as a child. Besides poetry, I enjoy writing in a myriad of genres such as self-help and true crime. My passion has always been to facilitate growth and change, and to inspire others to transcend their struggles. I endeavor to use my background as a psychotherapist in my writing for those reasons.

After reading and reviewing books for the past few years for the NY Journal of Books, I developed a great respect for authors. I was able to learn the delicate balance between elevating a good story and pointing out some of its weak points. Reviewing is the best of both worlds and has greatly improved my writing because of learning from others.

I got to know Laura through the FB group Writers Etc. She is a co-administrator there but a more accurate job title might be Guiding Spirit. She is tremendously helpful and supportive, and can offer interesting psychological insights into what makes your characters tick.

Tip O'Day #214 - Feeling Rejected?

2011-11-14T10:32:00.001-07:00

Guest blogger J.E. Seymour on dejection over rejection.

I read a complaint from a writer the other day. He was whining about how it took a year to write his novel and then an agent rejected it. One agent. He even got helpful feedback from said agent.

It took me years to write my first published novel. It took me years to get it published. My very first novel was picked up by an agent fourteen years ago, but she dumped me after thirteen rejections from publishers. I finished another book, got another agent, dumped him after six months of inaction. Wrote another book. Got 86 rejections from agents. Got numerous rejections from small presses before finally selling it to Mainly Murder Press. This is not a game for the easily discouraged.

If you want to write, be prepared to stick to it. And don’t give up after one rejection. Just keep writing a better book.

J.E. Seymour’s first novel, Lead Poisoning was released by Mainly Murder Press in 2010 and she has short stories in four different anthologies. J.E. is the markets coordinator for the Short Mystery Fiction Society. To learn more, check out http://jeseymour.com

Quote for Authors #105 - Wilde

2011-11-13T13:36:00.001-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

“Books are never finished, they are merely abandoned." - Oscar Wilde

Tip O'Day #213 - Soul Satisfaction

2011-11-12T11:00:00.001-07:00

Guest blogger Alyse Michele Gardner on putting yourself in your work.

When it comes to writing, I think that a lot of what you write should come from your soul. You should put as much of yourself into the piece of work as you possibly can, yet try not to be redundant. You can have similar things, and approach the same thing from different aspects, but don't write the same thing over and over again. However, what I stress the most is the factor of the soul.

To learn more about Alyse, she blogs at http://alysemgardner.blogspot.com/

Dixon says: A former member of my critique group was fond of making a statement, and then repeating the same concept in different words, and often giving it to us one more time. I found that approach annoyingly repetitive, but also insulting to me as a reader. “I don’t trust you to get it the first time, so let me try again.”

If you find yourself being repetitive, choose the most powerful version – the one from the soul – and slash the rest.

Tip O'Day #212 - Write for Films

2011-11-11T09:07:00.001-07:00

Guest blogger Carl Paolino II on all you need to know about screenwriting.

To sell a screenplay you need an agent who believes in your work and pushes it.

Tip O'Day #211 - Write for Readers 2.0

2011-11-10T09:48:00.001-07:00

Following up yesterday’s post, here is more of what readers look for.

Gerald Sessions: I read mostly fiction. (Not a writer.) Some books I buy because I like the author. Sometime the cover is the clincher; other times, the blurb telling about the story.

Jane Vogley - I go for the obscure, books that don't have mainstream appeal or marketing. As a screenwriter, sometimes I only have time to read when I'm working on an adaptation or doing research for a movie. For example, right now my dining room table is covered in every book known to man about Raoul Wallenberg, because I'm writing a script about him. I'm also working on a spec script based on a book called Swamplandia so I'll have to start reading that soon.

So what makes you pick up a book by an unknown author, and give it a try?

Tip O'Day #210 - Write for Readers

2011-11-09T10:47:00.002-07:00

Two Opinions on What Readers Look For.

Madison Woods: I hate to admit it, but first I do look at the cover. Good art attracts me because I am a creative type and look for style/colors/layout I like. After that I'll open the book to a random page and read. If the author's style of writing appeals to me, I'll keep reading at random spots throughout the book. If the content inside doesn't appeal, it doesn't matter what the blurb on the back says. Things that make me put it back right away are things like clumsy dialogue, drifting POV's, obvious syntax errors, and poor grammar (where the grammar isn't part of the voice).

Judith Anne Horner: I mostly read mysteries or romantic suspense written by well-known authors or by authors I’m acquainted with, either in person or online. I generally read a review about a mystery/romance novel in a magazine or online. I’ve also been reading a lot of works by Indie Authors. Some of it is really good; some of it isn’t so good. I don’t think that a lot Indie Authors employ an “outside editor.” Also, the formatting tends to be really messed up on some e-books. I find that I lose interest in novels that have more than three POVs and ones that seem to have an endless cast of characters. I also tend to skip over sections with too much telling and too little showing. And I think it’s a little strange when the first-person POV protagonist addresses the reader.

Saying for Writers #104 - "Being a Writer"

2011-11-08T10:58:00.000-07:00

Another Quotation which Might (or Might Not) Inspire You to Write:

"Being a writer is like having homework every night for the rest of your life." - Lawrence Kasdan

Tip O'Day #209 - "Why Not Me?"

2011-11-07T11:01:00.000-07:00

Guest blogger Valerie Douglas on the success of others.

You've worked hard as a writer, honed your book, edited it, tried the traditional route and endured the rejection slips. For moral support you've joined writer's groups and cheered each other on for weeks or months. Then the day comes, the big announcement - a contract offer. Only... it's not you.

Maybe their book is merely good, or maybe it's GREAT, or you think it's garbage. It doesn't matter, because a part of you wishes... it was you. Maybe they handle it well, accepting that it's a mix of hard work and sheer luck, or maybe they don't. That doesn't matter either.

Graciously, you offer congratulations. Yet there's that little niggling touch of envy inside you. You may even ask yourself, "Why not me?"

That's okay. It's normal, to feel that way. As a wise man once said, it's not what happens to you that matters, but what you do with it. Another said, the test of someone's character is in how they handle a friend's success. So allow yourself to wallow for a few minutes, then pick yourself up, glue yourself to your favorite chair, and get back to writing. The success of others proves that it can be done, with a lot of hard work...and a little luck.

Tip O'Day #208 - Make Your Readers Want to Stay

2011-11-05T22:52:00.000-06:00

Guest blogger Mike Nettleton presents “Short Attention Span Theatre.”

After 25 plus years of writing and editing for other writers and 6 published novels, I’ve come to one major conclusion: you need to grab your reader’s attention at the beginning of your story. Too many writers spend the first chapter setting the scene and introducing us to the protagonist. Then, usually somewhere late in the second or third chapter, they provide the event that is the true beginning of the story.

The perfect example of somebody who knows how to hit the ground running with a story is Lee Child and his Jack Reacher books. Within the first three paragraphs, Child has you on the edge of your seat wondering what will happen next. This concept is especially important in genre books, but even for a literary novel, you should get your characters moving and reacting to events.

Since I mostly write mystery and detective fiction, the murder is a favorite place to start. Here’s how I began Shotgun Start:

She huddled against the wall, hearing a playback of her father’s voice in her head. “Do not point a weapon at something you do not intend to kill.”

“Loud and clear, Daddy dearest,” she murmured, running her fingers along the chill barrels of the shotgun lying across her lap. “One dead man, coming up.” Nausea tugged at her stomach even as she smiled at her own sick sense of humor.

My guess is most readers will stick around to find out who dies and why. Remember, the best way for our readers to get to know a character is through actions and reactions.

Check out Mike’s website at www.deadlyduomysteries.com or read a sample chapter of Shotgun Start at http://www.amazon.com/Shotgun-Start-Neal-Mystery-ebook/dp/B005QCXY0K

Tip O'Day #207 - How Do YOU Measure Success?

2011-11-04T13:10:00.000-06:00

Guest blogger John J. Hohn on success as a writer.

Finishing my novel, DEADLY PORTFOLIO: A KILLING IN HEDGE FUNDS, represented the achievement of a lifetime goal for me. It has been artistically successful and sells consistently although not in high volume. I may have sold 500 copies since it was published nearly a year ago.

I learned a lot from my publishing venture--both about the book selling business and about writing. I don't care for all the online promo stuff that seems to be required. I think that a lot of writers are writing a lot of writers and we are all spinning our wheels in looking for the magic bullet or whatever. An entire industry has grown up around helping writers publish and sell. It has been very good for the publicists, the publishers, the consultants, and how-to authors, but I don't see much of it coming to anything very spectacular for the individual writers. A great deal of luck is needed. It is still a lottery.

I am underway with my next effort but I have set my sights differently. I want to print perhaps 100 copies, distribute them to fans, reviewers, friends and family, and then move on. I turn 73 on my next birthday so the drive to sell 10,000 copies is not as important as getting the next book written. If I were 35, it would be an entirely different matter.

You can check out John’s website at jjhohn.com

Tip O'Day #206 - Keep it Simple, Writers

2011-11-03T14:59:00.000-06:00

Guest blogger Judith Anne Horner keeps it simple.

My comments on writing are not terribly original, but here’s a couple:

1) Aspiring authors should write. They should write something every day (e.g., a few paragraphs of a major project or simply a comment on someone else’s blog or Facebook post).

2) If one writing project seems stalled, work on another project for a while.

Judith’s blogs are www.westwordarizona.blogspot.com and www.westwordarizona.com

Tip O'Day #205 - Why Barbara Self-Publishes

2011-11-02T10:26:00.000-06:00

Guest blogger Barbara Bixon wonders about listings on Writer’s Market.

I love writing. It's my passion but it's frustrating as hell.

I write comedy. When I send out chapters of my books, the agents scribble notes telling me how much they loved the book, characters, they couldn't put it down, but they reject it saying they don't handle comedy. Yet Writer's Market lists them as wanting humor. It's enough to drive you nuts. I've just gotten so sick and tired of the games that I self-published my books. They came out great and I have 26 book talks lined up for the next few months. I'm finally happy to see my books in print. Don't care whether I make a fortune.

Why bother writing if you can't share your stories?